| Artist: Justin Timberlake |
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Song Listing
Disc 1
Song Title
1. FutureSex/LoveSound ~ Justin Timberlake
2. SexyBack ~ Justin Timberlake
3. Sexy Ladies ~ Justin Timberlake
4. My Love ~ Justin Timberlake
5. Lovestoned ~ Justin Timberlake
6. What Goes Around... Comes Around ~ Justin Timberlake
7. Chop Me Up ~ Justin Timberlake
8. Damn Girl ~ Justin Timberlake
9. Summer Love ~ Justin Timberlake
10. Until The End Of Time ~ Justin Timberlake
11. Losing My Way ~ Justin Timberlake
12. (Another Song) All Over Again ~ Justin Timberlake
| Music critics and highbrow listeners may look down their nose at Justin Timberlake, doubting that the celebrated former N'Sync leader is good for more than light, frothy dance-pop. Timberlakes's sophomore effort, Futuresex/Lovesounds, should make both camps rethink that stance. While the album certainly sets out to entertain, it's also full of ambitious, well-constructed grooves that prove the superstar is serious about getting down and dirty. The album steps up the Michael Jackson-influenced sound of Justified by delving deeper into club music, hip-hop, and funk, creating a bumping, writhing soundtrack for a set of songs unabashedly about sex. Timberlake spared no expense recruiting some of the best producers on the scene. Beatmaker extraordinaire Timbaland is a primary collaborator, and his experimental stutter-funk landscapes make for the album's best moments (the title track, for example, or the spare, driving lead-off single "Sexyback"). Early Prince is a major touchstone for much of the disc, but Timberlake also draws on rolling, Dirty South jams ("Chop Me Up") and smooth, urban-contemporary loverman R&B ("My Love"). Its obsession with the bedroom notwithstanding, Futuresex/Lovesounds shows Timberlake moving toward an exciting musical maturity. |
Album Notes and Credits
Notes & Personnel Info |
|
| Personnel: Justin Timberlake (vocals, guitar, piano, keyboards, background vocals); Justin Timberlake; Timbaland (vocals, rap vocals, various instruments, drums, programming, background vocals); T.I., Three 6 Mafia (vocals, rap vocals); will.i.am (rap vocals); Bill Pettaway, Paul Blake, Smokey Hormel (guitar); John Wittenberg, Brian Benning, Richard Adkins , Gloria Justin, Mari Tsumura, Jennifer Levin, Pamela Gates, Yvette Devereaux, Natalie Leggett, Igor Szwec, Emma Kummrow, Josefina Vergara, Michele Richards, Susan Chatman, Mark Cargill, Charlie Bisharat, Mario Diaz de Leon, Tereza Stanislav (violin); Cameron Patrick, Patrick Morgan, Matthew Funes, Jimbo Ross, Davis A. Barnett, Darrin McCann, Andrew Duckles (viola); Timothy Landauer, Jenny DLorenzo, Suzie Katayama (cello); Jeff Clayton , Valarie King (flute); James Ford (trumpet); Clarence McDonald (organ); James Gadson (drums); Lenny Castro (percussion). | |
| Audio Mixers: Timbaland; Jimmy Douglass; Andrew Scheps; Serban Ghenea. | |
| Recording information: Akademi Mathematique Of Philisophical Sound Research, L; Arch Angel Studios, Los Angeles, CA; Chung King Studios, New York, NY; Conwaystudios, Hollywood, CA; Encore Studios, Burbank, CA; The Document Room, Malibu, CA; The Studio, Philadelphia, PA; Thomas Crown Studio, Virginia Beach, VA. | |
| Photographer: Terry Richardson. | |
| Music critics and highbrow listeners may look down their nose at Justin Timberlake, doubting that the celebrated former N'Sync leader is good for more than light, frothy dance-pop. Timberlakes's sophomore effort, FUTURESEX/LOVESOUNDS, should make both camps rethink that stance. While the album certainly sets out to entertain, it's also full of ambitious, well-constructed grooves that prove the superstar is serious about getting down and dirty. The album steps up the Michael Jackson-influenced sound of JUSTIFIED by delving deeper into club music, hip-hop, and funk, creating a bumping, writhing soundtrack for a set of songs unabashedly about sex. | |
| Timberlake spared no expense recruiting some of the best producers on the scene. Beatmaker extraordinaire Timbaland is a primary collaborator, and his experimental stutter-funk landscapes make for the album's best moments (the title track, for example, or the spare, driving lead-off single "Sexyback"). Early Prince is a major touchstone for much of the disc, but Timberlake also draws on rolling, Dirty South jams ("Chop Me Up") and smooth, urban-contemporary loverman R&B ("My Love"). Its obsession with the bedroom notwithstanding, FUTURESEX/LOVESOUNDS shows Timberlake moving toward an exciting musical maturity. | |
Producer: Justin Timberlake; Timbaland; Rick Rubin; Timbaland |
|
Engineer: Ethan Willoughby; Andros Rodriguez; Dana Nielsen; Padraic Kerin; Jeff Chestek; Jimmy Douglass; Jason Lader |
|
Musical Guests | |
| Timbaland | |
| T.I. | |
| Three 6 Mafia | |
| Will.I.Am | |
Artist Overview
Though he first came to fame as a member of the definitive boy band N Sync, Justin Timberlake gained superstar status after stepping out on his own with his first solo album in 2002. JUSTIFIED showed that there was more to the then-21-year-old Timberlake than teen pop, highlighting the young singer's pronounced R&B influences and positioning him as the Michael Jackson of the early 21st century. However, it was on FUTURESEX/LOVESOUNDS that J.T. proved himself a true artist, bringing "sexy" back as well as intelligent, well-crafted pop music aimed at a universal audience. The seemingly unstoppable star was able to forge a legitimate film career, brush off controversies that appeared to immobilized his contemporaries, and go on to become on of the most popular and ubiquitous artists of his generation.
Artist Influences
Al Green (Vocals) | Elton John | George Michael | Janet Jackson | Ludacris | Marvin Gaye | Michael Jackson | New Edition (US) | Prince | Stevie Wonder
Al Green (Vocals) | Elton John | George Michael | Janet Jackson | Ludacris | Marvin Gaye | Michael Jackson | New Edition (US) | Prince | Stevie Wonder
Artist Contemporaries
Aaliyah | Amy Winehouse | B2K | Beyonc? | Blake Lewis | Boyzone | Britney Spears | Bruno Mars | Chris Brown (R&B/Vocals) | Christina Aguilera | Craig David | Daniel Bedingfield | Destiny's Child | Diddy | Drop City Yacht Club | Fergie (Black Eyed Peas) | Gwen Stefani | Hey Willpower | Icona Pop | Janet Jackson | JC Chasez | Jesse McCartney | Jimmy Cozier | Kanye West | Katy Perry | Ke$ha | Kevin Michael (R&B) | Lady Gaga | Mandy Moore | Mike Posner | Ne-Yo | Nelly Furtado | Nick Carter | Nick Lachey | P!nk | Paris Hilton | Rihanna | Rob Thomas (Matchbox Twenty) | Robbie Williams | Robin Thicke | Taio Cruz | The Black Eyed Peas | The Pussycat Dolls | Timbaland | Trey Songz | Usher
Aaliyah | Amy Winehouse | B2K | Beyonc? | Blake Lewis | Boyzone | Britney Spears | Bruno Mars | Chris Brown (R&B/Vocals) | Christina Aguilera | Craig David | Daniel Bedingfield | Destiny's Child | Diddy | Drop City Yacht Club | Fergie (Black Eyed Peas) | Gwen Stefani | Hey Willpower | Icona Pop | Janet Jackson | JC Chasez | Jesse McCartney | Jimmy Cozier | Kanye West | Katy Perry | Ke$ha | Kevin Michael (R&B) | Lady Gaga | Mandy Moore | Mike Posner | Ne-Yo | Nelly Furtado | Nick Carter | Nick Lachey | P!nk | Paris Hilton | Rihanna | Rob Thomas (Matchbox Twenty) | Robbie Williams | Robin Thicke | Taio Cruz | The Black Eyed Peas | The Pussycat Dolls | Timbaland | Trey Songz | Usher
Artist Followers
Chris Brown (R&B/Vocals) | Danity Kane | Gnarls Barkley | J. Holiday | JoJo (Teen Pop) | Justin Bieber | Mario | Mindless Behavior | Nicole Scherzinger | Sean Kingston
Chris Brown (R&B/Vocals) | Danity Kane | Gnarls Barkley | J. Holiday | JoJo (Teen Pop) | Justin Bieber | Mario | Mindless Behavior | Nicole Scherzinger | Sean Kingston
Compilation Appearances
Associated Artists and Works
| Ciara | |
| Smooth Jazz All Stars | |
| The Smooth Jazz All Stars |
Technical Info
| Release Date : 09/12/2006 | |
| Original Release Date : 2006 | |
| Catalog ID : 062 | |
| Label : Jive (USA) | |
| Number of Discs : 1 | |
| Studio/Live : Studio | |
| Mono/Stereo : Stereo | |
| SPAR Code : n/a | |
| UPC : 00828768806227 |
Professional Reviews
Rolling Stone (p.86)
- 3.5 stars out of 5 -- "[H]is best new tracks are thrilling....Some of the up-tempo stuff flirts with mechanical muscle-flexing..."
- 3.5 stars out of 5 -- "[H]is best new tracks are thrilling....Some of the up-tempo stuff flirts with mechanical muscle-flexing..."
Rolling Stone (p.106)
- Ranked #26 in Rolling Stone's "The Top 50 Albums Of 2006" -- "[O]ne of the year's most enduringly pleasurable hits."
- Ranked #26 in Rolling Stone's "The Top 50 Albums Of 2006" -- "[O]ne of the year's most enduringly pleasurable hits."
Entertainment Weekly (p.70)
- "Superior tracks like 'LoveStoned' and 'What Comes Around,' suggest a happy middle path, where Timberlake can equally embrace Timbaland's canny beats and his own vocal helium."
- "Superior tracks like 'LoveStoned' and 'What Comes Around,' suggest a happy middle path, where Timberlake can equally embrace Timbaland's canny beats and his own vocal helium."
Entertainment Weekly (p.128)
- Ranked #4 in Entertainment Weekly's "Top 10 Records Of 2006" -- "[T]he two Tims create a boldly forward-thinking soundtrack for nocturnal amusements like club cruising and rump shaking."
- Ranked #4 in Entertainment Weekly's "Top 10 Records Of 2006" -- "[T]he two Tims create a boldly forward-thinking soundtrack for nocturnal amusements like club cruising and rump shaking."
Q (p.122)
- Ranked #36 in Q Magazine's "100 Greatest Albums of 2006" -- "[A] hyper-confident mix of stripped-down R&B and '80s electro soul."
- Ranked #36 in Q Magazine's "100 Greatest Albums of 2006" -- "[A] hyper-confident mix of stripped-down R&B and '80s electro soul."
Vibe (p.142)
- "He's still got a lithe, lovely vocal instrument and a falsetto that evokes El DeBarge."
- "He's still got a lithe, lovely vocal instrument and a falsetto that evokes El DeBarge."
Mojo (Publisher)
(p.116)
- 3 stars out of 5 -- "[The titles] leave no doubt as to the chief Timberlake brand value, and the louche synth funk and electro-flavoured R&B therein make a pretty seductive back-up argument."
(p.116)
- 3 stars out of 5 -- "[The titles] leave no doubt as to the chief Timberlake brand value, and the louche synth funk and electro-flavoured R&B therein make a pretty seductive back-up argument."
Bio
Though he first came to fame as a member of the definitive boy band N Sync, Justin Timberlake gained superstar status after stepping out on his own with his first solo album in 2002. Justified showed that there was more to the then-21-year-old Timberlake than teen pop, highlighting the young singer's pronounced R&B influences and positioning him as the Michael Jackson of the early 21st century.












