Song Listing
Disc 1
Song Title
1. All That I Can Say - (featuring Lauryn Hill) ~ Mary J. Blige
2. Sexy - (featuring Jadakiss From The Lox) ~ Mary J. Blige
3. Deep Inside - (featuring Elton John) ~ Mary J. Blige
4. Beautiful Ones ~ Mary J. Blige
5. I'm In Love ~ Mary J. Blige
6. Time ~ Mary J. Blige
7. Memories ~ Mary J. Blige
8. Don't Waste Your Time - (with Aretha Franklin) ~ Mary J. Blige
9. Not Lookin' - (with K-Ci Hailey) ~ Mary J. Blige
10. Your Child ~ Mary J. Blige
11. No Happy Holidays ~ Mary J. Blige
12. Love I Never Had, The ~ Mary J. Blige
13. Give Me You - (featuring Eric Clapton) ~ Mary J. Blige
14. Let No Man Put Asunder ~ Mary J. Blige
Album Notes and Credits
Notes & Personnel Info |
|
| Personnel includes: Mary J. Blige, Aretha Franklin, K-Ci Hailey (vocals); Soulshock, Karlin, Kiyamma Griffin, Kevin Deane, Chucky Thompson, Rich Harrison, Jimmy Jam, Terry Lewis (various instruments); Babyface (acoustic guitar, keyboards, programming); Eric Clapton, Jeff Mironov, Eli Lishinski, Soong Lee, Mike Scott, Paul Pesco, Mark Bowers (guitar); Dave Boruff (saxophone); Manuel Seal (piano, electric piano); Elton John (piano); Gen Rubin (Wurlitzer piano); Bryant Crockett (keyboards, programming); Rex Rideout, Don Kipping, Loris Holland (keyboards); Tom Barney, Nathan East, Eric Lorde, Paul Johnson, Chuck Domonico (bass); Chris "Daddy" Dave (drums); Paulinho Da Costa (percussion); Cindy Mizell, Paulette McWilliams (background vocals). | |
| Producers include: Lauryn Hill, Kevin Deane, Rich Harrison, Mary J. Blige, Babyface. | |
| Engineers include: Carl Robinson, Manny Marroquin, Paul Boutin. | |
| MARY was nominated for the 2000 Grammy Award for Best R&B Album. "All That I Can Say" was nominated for the 2000 Grammy Award for Best Female R&B Vocal Performance and for Best R&B Song. "Don't Waste Your Time" was nominated for the 2000 Grammy Award for Best R&B Performance By A Duo Or Group With Vocal. | |
| This edition of MARY includes a bonus enhanced audio CD which contains one unreleased song and multimedia computer files. | |
| Personnel includes: Mary J. Blige, Aretha Franklin, K-Ci Hailey (vocals); Nas, DMX (rap vocals); Soulshock, Karlin, Kiyamma Griffin, Kevin Deane, Chucky Thompson, Rich Harrison, Jimmy Jam, Terry Lewis (various instruments); Babyface (acoustic guitar, keyboards, programming); Eric Clapton, Jeff Mironov, Eli Lishinski, Soong Lee, Mike Scott, Paul Pesco, Mark Bowers (guitar); Dave Boruff (saxophone); Manuel Seal (piano, electric piano); Elton John (piano); Gen Rubin (Wurlitzer piano); Bryant Crockett (keyboards, programming); Rex Rideout, Don Kipping, Loris Holland (keyboards); Tom Barney, Nathan East, Eric Lorde, Paul Johnson, Chuck Domonico (bass); Chris "Daddy" Dave (drums); Paulinho Da Costa (percussion); Cindy Mizell, Paulette McWilliams (background vocals). | |
| Producers include: Lauryn Hill, Kevin Deane, Rich Harrison, Mary J. Blige, Babyface. | |
| Engineers include: Carl Robinson, Manny Marroquin, Paul Boutin. | |
| Personnel: Mary J. Blige (vocals, background vocals); Dustin Adams, Terri Robinson (vocals, background vocals); Jadakiss (vocals); Soong Lee, Eric Clapton, Ell Lishinski, Jeff Mironov, Mike Scott , Paul Pesco (guitar); Babyface (acoustic guitar, keyboards, drum programming); Mark Bowers (electric guitar); Anatoly Rosinsky, Alan Grunfeld, Ronald Folsom, Bob Sanov, Joel Derouin, Bruce Dukov, Kathleen Lenski , Roger Wilkie, Armen Garabedian, Darius Campo, Berj Garabedian, Endre Granat (violin); David Low (viola, cello); Brian Dembow, Simon Oswell, Evan Wilson (viola); Larry Corbett, Dane Little (cello); Al Schmidt (recorder); Rev. Dave Boruff (saxophone); Gary Grant, Dave Trigg (trumpet, flugelhorn); Slyde Hyde, Bruce Otto (trombone); Manuel Seal, Jr. (piano, electric piano, keyboards); Elton John (piano); Gen Rubin (organ, Wurlitzer organ); Moise Laporte (keyboards, programming); Loris Holland, Rex Rideout (keyboards); Malik Pendleton (synthesizer); Big Mike Clemons, Michael Clemons, Chris 'Daddy' Dave (drums); Paulinho Da Costa (percussion); Kobie Brown, Gerald Isaac (programming); Che Pope (drum programming); Cindy Mizelle, Elisabeth Withers, Tara Geter-Tillman, Karlin, Lauryn Hill, Paulette McWilliams, Sharon Bryant, Audrey Wheeler (background vocals). | |
| Audio Mixers: Manny Marroquin; Commissioner Gordon; Edwin "Eddie Ed" Ramos; E'lyk; Charles "Prince Charles" Alexander ; Jamie Siegel; Yuri Zwadluk; Ben Garrison ; Jon Gass; Larry Alexander ; Malik Pendleton; Angela Piva; Soulshock; Steve Hodge; Warren Riker. | |
| Recording information: Chung King Studios, NY; Electric Lady Studio, NY; Hit Factory, New York, NY; Quad Recording Studios, New Yor; Right Track Recording; Studio 22, New York, NY; Westlake Studios, Lo. | |
| Photographer: Albert Watson . | |
| Arrangers: Ike Lee III; Jim Wright; Jimmy Jam; Karlin; Lauryn Hill; Paul Riser; Soulshock; Terry Lewis; Gerald Isaac. | |
| The queen of hip-hop soul, Mary J. Blige, returned with her third album, MARY, at a time when R&B was experiencing a surge in popularity. Blige collaborates with numerous producers and songwriters like Lauryn Hill ("All That I Can Say"), Babyface ("Don't Waste Your Time," which also features vocals from Aretha Franklin and Soulshack), and Karlin ("Time") to bring a more expansive sonic recipe to her music. | |
| MARY is a dynamic, intricately arranged album that gives the singer a softer, more melodic sound than her tougher hip-hop sound of the early '90s. "Beautiful Ones" (produced by Chucky Thompson), "Not Lookin'" (a duet with K-Ci Hailey), and "The Love I Never Had" (produced by Jimmy Jam and Terry Lewis) are standout tracks. | |
Musical Guests | |
| Lauryn Hill | |
| Eric Clapton | |
| Aretha Franklin | |
| Jadakiss | |
| K-CI | |
| Elton John | |
| Paulinho DaCosta | |
Compilation Appearances
Associated Artists and Works
| Father MC | |
| Method Man | |
| Smooth Jazz All Stars | |
| The Smooth Jazz All Stars |
Technical Info
| Release Date : 08/17/1999 | |
| Original Release Date : 1999 | |
| Catalog ID : 11929 | |
| Label : MCA (USA) | |
| Number of Discs : 1 | |
| Studio/Live : Studio | |
| Mono/Stereo : Stereo | |
| SPAR Code : n/a | |
| UPC : 00008811192921 |
Professional Reviews
Rolling Stone (9/2/99, p.110)
- 4 stars (out of 5)
- "...superstar-packed.... Mary is moving away from the...sound of her earlier albums into a sound that's...more soulful, singing over a large live band or alongside Eric Clapton's guitar or Elton's piano. But she remains the queen of hip-hop soul..."
- 4 stars (out of 5)
- "...superstar-packed.... Mary is moving away from the...sound of her earlier albums into a sound that's...more soulful, singing over a large live band or alongside Eric Clapton's guitar or Elton's piano. But she remains the queen of hip-hop soul..."
Rolling Stone (9/2/99, p.110)
- 4 stars (out of 5)
- "...superstar-packed.... Mary is moving away from the...sound of her earlier albums into a sound that's...more soulful, singing over a large live band or alongside Eric Clapton's guitar or Elton's piano. But she remains the queen of hip-hop soul..."
- 4 stars (out of 5)
- "...superstar-packed.... Mary is moving away from the...sound of her earlier albums into a sound that's...more soulful, singing over a large live band or alongside Eric Clapton's guitar or Elton's piano. But she remains the queen of hip-hop soul..."
Spin (10/99, p.164)
- 9 out of 10 - "...Emotionally gripping and stylistically diverse, this album should allow Blige to transcend the limited and somewhat apologetic 'Queen of Hip-Hop Soul' label..."
- 9 out of 10 - "...Emotionally gripping and stylistically diverse, this album should allow Blige to transcend the limited and somewhat apologetic 'Queen of Hip-Hop Soul' label..."
Spin (10/99, p.164)
- 9 out of 10 - "...Emotionally gripping and stylistically diverse, this album should allow Blige to transcend the limited and somewhat apologetic 'Queen of Hip-Hop Soul' label..."
- 9 out of 10 - "...Emotionally gripping and stylistically diverse, this album should allow Blige to transcend the limited and somewhat apologetic 'Queen of Hip-Hop Soul' label..."
Entertainment Weekly (8/20-27/99, pp.123-4)
- "...Does what Mary J. Blige does best - making a heart-to-heart connection with her female fans by channelling the everyday insults and injuries of the love wars into passionate vocal art." - Rating: B
- "...Does what Mary J. Blige does best - making a heart-to-heart connection with her female fans by channelling the everyday insults and injuries of the love wars into passionate vocal art." - Rating: B
Entertainment Weekly (8/20-27/99, pp.123-4)
- "...Does what Mary J. Blige does best - making a heart-to-heart connection with her female fans by channelling the everyday insults and injuries of the love wars into passionate vocal art." - Rating: B
- "...Does what Mary J. Blige does best - making a heart-to-heart connection with her female fans by channelling the everyday insults and injuries of the love wars into passionate vocal art." - Rating: B
Q (1/00, p.83)
- Included in Q Magazine's "50 Best Albums of 1999."
- Included in Q Magazine's "50 Best Albums of 1999."
Q (9/99, p.101)
- 4 stars (out of 5)
- "...Whether freestyling over skipping, Timbaland-influenced beats on 'Beautiful One' or the straightforward swing of 'Your Child', Blige can turn from sassy to agonized to vulnerable in the space of a single phrase....The Queen Of Hip Hop Soul remains classy and invincible."
- 4 stars (out of 5)
- "...Whether freestyling over skipping, Timbaland-influenced beats on 'Beautiful One' or the straightforward swing of 'Your Child', Blige can turn from sassy to agonized to vulnerable in the space of a single phrase....The Queen Of Hip Hop Soul remains classy and invincible."
Q (9/99, p.101)
- 4 stars (out of 5)
- "...Whether freestyling over skipping, Timbaland-influenced beats on 'Beautiful One' or the straightforward swing of 'Your Child', Blige can turn from sassy to agonized to vulnerable in the space of a single phrase....The Queen Of Hip Hop Soul remains classy and invincible."
- 4 stars (out of 5)
- "...Whether freestyling over skipping, Timbaland-influenced beats on 'Beautiful One' or the straightforward swing of 'Your Child', Blige can turn from sassy to agonized to vulnerable in the space of a single phrase....The Queen Of Hip Hop Soul remains classy and invincible."
The Source (10/99, p.240)
- "...when you take Mary's pure emotion...and place it over its rightful medium, something incredible is bound to happen....she dares to break the hip-hop soul template she helped create, and do something different. Something our loop-weary souls need."
- "...when you take Mary's pure emotion...and place it over its rightful medium, something incredible is bound to happen....she dares to break the hip-hop soul template she helped create, and do something different. Something our loop-weary souls need."
The Source (10/99, p.240)
- "...when you take Mary's pure emotion...and place it over its rightful medium, something incredible is bound to happen....she dares to break the hip-hop soul template she helped create, and do something different. Something our loop-weary souls need."
- "...when you take Mary's pure emotion...and place it over its rightful medium, something incredible is bound to happen....she dares to break the hip-hop soul template she helped create, and do something different. Something our loop-weary souls need."
Rap Pages (10/99, pp.144-5)
- "...It's sweet. It's consistent. It's personable. It's mature....A field trip of energy relative to all. And of course, each track is blessed with the influence of Hip-Hop soul, jazz and blues. Hail Mary!" - Rating: B
- "...It's sweet. It's consistent. It's personable. It's mature....A field trip of energy relative to all. And of course, each track is blessed with the influence of Hip-Hop soul, jazz and blues. Hail Mary!" - Rating: B
Rap Pages (10/99, pp.144-5)
- "...It's sweet. It's consistent. It's personable. It's mature....A field trip of energy relative to all. And of course, each track is blessed with the influence of Hip-Hop soul, jazz and blues. Hail Mary!" - Rating: B
- "...It's sweet. It's consistent. It's personable. It's mature....A field trip of energy relative to all. And of course, each track is blessed with the influence of Hip-Hop soul, jazz and blues. Hail Mary!" - Rating: B

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