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Steal Away (1994)

Artist: Haden/Jones
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Product Details:

Format: CD
Sku: 60211665
UPC: 731452724922
UPC 14: 00731452724922
Release Date: 4/4/1995
See more in Jazz

Song Listing

Disc 1
Song Title
1. It's Me, O Lord (Standin' In The Need Of Prayer) ~ Hank Jones (Piano)/Charlie Haden
2. Nobody Knows The Trouble I've Seen ~ Hank Jones (Piano)/Charlie Haden
3. Spiritual ~ Hank Jones (Piano)/Charlie Haden
4. Wade In The Water ~ Hank Jones (Piano)/Charlie Haden
5. Swing Low, Sweet Chariot ~ Hank Jones (Piano)/Charlie Haden
6. Sometimes I Feel Like A Motherless Child ~ Hank Jones (Piano)/Charlie Haden
7. Amour de Moy, L' ~ Hank Jones (Piano)/Charlie Haden
8. Danny Boy ~ Hank Jones (Piano)/Charlie Haden
9. I've Got A Robe, You Got A Robe (Goin' To Shout All Over God's Heav'n) ~ Hank Jones (Piano)/Charlie Haden
10. Steal Away ~ Hank Jones (Piano)/Charlie Haden
11. We Shall Overcome ~ Hank Jones (Piano)/Charlie Haden
12. Go Down Moses ~ Hank Jones (Piano)/Charlie Haden
13. My Lord, What A Mornin' ~ Hank Jones (Piano)/Charlie Haden
14. Hymn Medley: Abide With Me/Just as I Am Without One Plea/What a Friend: Abide With Me / Just As I Am Without One Plea / What A Friend We Have In Jesus / Amazing Grace ~ Hank Jones (Piano)/Charlie Haden
 

Album Notes and Credits


Notes & Personnel Info
Muze PNote Personnel: Charlie Haden (bass); Hank Jones (piano).
Muze PNote Recorded at Radio Canada, Montreal, Canada on June 29 & 30, 1994. Includes liner notes by Maurice Jackson, Charlie Haden and Abbey Lincoln.
Muze PNote STEAL AWAY was nominated for a 1996 Grammy Award for Best Jazz Instrumental Performance, Individual Or Group. "Go Down, Moses" was nominated for a Grammy for Best Jazz Instrumental Solo.
Muze PNote Personnel: Hank Jones (piano).
Muze PNote Audio Mixer: Jay Newland.
Muze PNote Liner Note Author: Maurice Jackson.
Muze PNote Recording information: Radio Canada, Montreal, Canada (06/29/1994/06/30/1994).
Muze PNote Photographer: Walker Evans.
Muze PNote From the outset of his career with Ornette Coleman, through his work with pianist Keith Jarrett, his own Liberation Music Orchestra and collaborations with the likes of Paul Motian, Hampton Hawes, Chet Baker, Carlos Paredes and Ginger Baker, bassist Charlie Haden has always accorded the spiritual component of music greater importance than its technical considerations.
Muze PNote Haden's finest work has always focused on the most intimate, humanistic principles: freedom, justice, quality. In pianist Hank Jones, Haden encounters a collaborator and fellow traveller whose musical instincts are every inch as elegant and refined as his own. And in the rich public domain of materials which make up STEAL AWAY, Haden and Jones take on an oral (and moral) tradition of music that has been inspiring listeners since before the time of the underground railroad.
Muze PNote For the most part, Haden and Jones downplay their jazz stylings--"We Shall Overcome" being a joyous exception--in favor of simple expressive declamations, imparting a timeless feel to each performance. On the concluding "Hymn Medley," for instance, Jones' unadorned, celestial voicings and harp-like fills set the stage for Haden's earnest amens and resonant harmonies, to the theme of "Amazing Grace." Jones treats the opening "It's Me, O Lord (Standin' In The Need Of Prayer)" with modest delicacy, before lifting the tune into a selfless stride groove. Haden's devotional bass intro to "Nobody Knows The Trouble I've Seen" is pure prayer, Jones' rich chords representing a reassuring reply, while Haden's testimonial, "Spiritual," resonates with the devotion of countless rural congregations--black and white.

Producer: Charlie Haden

Engineer: Jay Newland

Artist Overview

Along with his brothers Thad (trumpet) and Elvin (drums), pianist Hank Jones has been an important figure in jazz throughout the modern era. Jones moved from the Midwest to New York City in the mid-1940s, and began to develop the elegant, masterly piano style for which he is known. He has played on significant dates and recordings with Ella Fitzgerald and Charlie Parker, among other iconic figures. He also worked as the house pianist for the Savoy label and from 1959 through 1975 was the staff pianist for CBS studios. Jones continued to record and perform prolifically both as a leader, a sideman, and in collaborative ensembles (such as the Great Jazz Trio) well into the 2000s .

Compilation Appearances

Muze Music Compilations Live At Le Festival International De(w/ Bonus DVD)
Muze Music Compilations Justin Time 25Th Anniversary Collecti
Muze Music Compilations Tasty Sound Collection:cigars Sound
Muze Music Compilations Moody 4B
Muze Music Compilations Conversations With Christian

Associated Artists and Works

Bert, Eddie
Carter, Benny (Sax)
Cary, Dick
Farlow, Tal
Grappelli, Stephane
Steal Away ~ Haden, Charlie
Keezer, Geoff
Stewart, Bob (Singer)
Stewart, Slam
Stitt, Sonny
Tiffany (Jazz)
Washington, Grover, Jr.

Technical Info

Music Release Date Release Date : 04/04/1995
Music Original Release Date Original Release Date : 1994
Music CatalogId Catalog ID : 5272492
Music Label Name Label : Verve
Music Number of Discs Number of Discs : 1
Music Studio or Live Studio/Live : Studio
Music Mono or Stereo Mono/Stereo : Stereo
Music SPAR code SPAR Code : n/a
Music UPC UPC : 00731452724922

Professional Reviews

Q (8/95, p.122)
- 4 Stars - Excellent - "...This poignant and affecting album is devoted to spirituals, hymns and folk songs, and Haden's booming sound and uncanny harmonic feel perfectly supports Jones's softly rolling chords, mixture of local-church artlessness and dignified funkiness..."

JazzTimes (7-8/95, p.115)
- "...all the material possesses a stately quality....The elegance brought to the reading by Jones and Haden is only overshadowed by the lustrousness of the material..."

Village Voice (1/16/96)
- Ranked #9 in the Village Voice's Best Jazz Discs of '95 - "...a critical and even miraculous work that says something new about the folk songs and spirituals at the foundation of African American music..."

Jazziz (9/95, p.20)
- "...their treatment of the material is reverant, with very little filigree. But it achieves an elegant depth, never maudlin or morose. And in Haden's wide bass tones, and Jone's clustered voicings, even darkness takes on new hues..."

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