Batman (1989)

"...an exhilarating mix of cartoon lore, screen presence, psychological murkiness, and demented Gothic goofiness...  Desson Howe, Washington Post
"The movie of the decade!  Erik Preminger, KGO-TV
"Dark, haunting and poetic...a magnificent living comic book...  Hal Hinson, Washington Post
"Spectacular entertainment.  Jack Garner, Garnett News Service
"A triumph. You can't take your eyes off it!  Peter Travers, Rolling Stone
"...an exhilarating mix of cartoon lore, screen presence, psychological murkiness, and demented Gothic goofiness...  Desson Howe, The Washington Post
"Dark, haunting and poetic...a magnificent living comic book...  Hal Hinson, The Washington Post
"...a rare, beautifully made movie that offers you another world.  Mick LaSalle, San Francisco Chronicle

Editor's Note Tim Burton's BATMAN, inspired by Frank Miller's graphic novel THE DARK KNIGHT RETURNS, is a Gothic, Wagnerian treatment of the Batman mythos that explains the origins of Batman (Michael Keaton) and his nemesis, the maniacal Joker (a ripe Jack Nicholson). Gotham City is a sunless, ominous haven for criminals, held in the corrupt grip of crime boss Carl Grissom (the ever-magnetic Jack Palance), and terrorized by a sadistic vandal and murderer known as The Joker. But it isn't long before a dark, mysterious caped crusader, who goes by the name of BATMAN, is on their trail and trying to thwart their evil doings. In this darkly entertaining retelling of the Marvel comic classic, ace photojournalist Vicki Vale (warmly and sympathetically played by Kim Basinger) is also on the trail--she wants to find out who Batman really is. Based on the popular comic book character created by Bob Kane for DC Comics; the story and tone have nothing in common with the popular TV series of the 1960s. Imaginative special effects and imposing, Gothic architectural sets dominate this visually graphic, stylish film. Keaton gives a brooding performance as the Caped Crusader and his interestingly understated alter-ego Bruce Wane. But is it Nicholson's Joker that steals the show, with his unnerving, brilliantly maniacal portrayal, especially in the context of his twisted relationship with Grissom's gal Alicia (a lanky, disquieting Jerry Hall).

	Jack Nicholson
	Jack Palance
	Kim Basinger
	Michael Keaton
	Anton Furst - Production Designer
	Benjamin Melniker - Executive Producer
	Bob Kane - Based On Characters Created By
	Danny Elfman - Original Music By
	Nigel Phelps - Art Director
	Peter Guber - Producer
	Ray Lovejoy - Editor
	Roger Pratt - Cinematographer
	Sam Hamm - Screenplay
	Terry Ackland-Snow - Art Director
	Tim Burton - Director
	Warren Skaaren - Screenplay

In gloomy Gotham City the caped crusader must engage in a battle-to-the-death with the villainous Joker--a madman orchestrating a wave of crime and murder that has paralyzed the town. During the course of the struggle, Batman learns the truth about his own mysterious past, and the role played by the Joker in shaping his life when he was a boy. Los Angeles Times
"...Nicholson keeps things moving higher and higher..." 06/23/1989 p.C1

FilmCritic.com 8 of 10
First up to bat in the Batman movies was Tim Burton, fresh off of Beetlejuice and right before Edward Scisscorhands. Burton's Gotham is a noirish nightmare that grabs you from the opening scene. Batman is still a spook story to criminals, but he's a rumor spreading like wildfire...Nicholson plays the Joker with the sardonic glee that only Jack can. Outdoing his overacting in The Shining, good old Jack and Tim Burton work together to go for broke at being over the top. Jack makes jokes that Carrot Top wouldn't touch and turns them into situational gold...Burton's Batman is a must see. It's a comic counterpart to Batman Begins with just enough action in to make life interesting. Burton's first Batman is a cynical cinematic masterpiece that shouldn't be missed by any who call themselves sarcastic. - James Brundage

BeyondHollywood.com 8 of 10
Before 1989, unless you were an avid comic book reader, you probably viewed Batman as a clownish superhero, trading punches and quips with bad guys with his youthful assistant Robin faithfully at his side...That is, until the summer of 1989, when Tim Burton arrived to changed all that...Michael Keaton (Multiplicity) truly embodies the part of Batman...The set design by Anton Furst is breathtaking, transforming Gotham into a dark urban nightmare. The musical score by Danny Elfman is amazing, a sweeping orchestral sound that lifts the film to new heights...Tim Burton's direction is top notch as usual, giving us some stunning visuals...Batman raised the bar for comic book films, as well as returning the character to his dark roots. It's an entertaining film, fun to watch but a bit flawed. Fans would have to wait three years for Burton's true vision of the Dark Knight, which remains the best Batman so far. - Joseph Savitski

ReelViews 7 of 10
The superheroes of DC Comics have been very good to Warner Brothers. In 1978, Superman became a major motion picture event, packing theaters and resulting in a franchise that generated three sequels before collapsing under the weight of bad writing, bad acting, and bad special effects. Then, only two years after the release of the movie that killed the Superman series (Superman IV: The Quest for Peace), Warner Brothers turned to DC's other venerable hero, Batman. From the moment the announcement was first made, fans were ecstatic, especially when it was revealed that the tone of the film would more closely resemble the dark nature of the comics, as opposed to the jokey, campy feel of the '60s TV series starring Adam West. This Batman was intended to be a different breed from any previous live-action incarnation. Like Superman, Batman spawned three sequels, and, like the saga of The Man of Steel, the Caped Crusader's adventures were eventually ended not by the successful plots of his enemies, but by the inept plots of those who helmed the series. Batman and Robin ended the profitability of a franchise that had been teetering since installment #3, Batman Forever...Looking back at Batman from a distance - after all the hype has dried up and the franchise has at least temporarily been abandoned - it's easy to see the movie for what it is: a moderately diverting motion picture that should have been shorter and better paced. There are a lot of things wrong with Batman, but it still makes for decent entertainment in the fine tradition of the typical low-intelligence summer movie. The best thing that can be said about Batman is that it led to Batman Returns, which was a far superior effort. - James Berardinelli

Chicago Sun-Times 6 of 10
The Gotham City created in "Batman" is one of the most distinctive and atmospheric places I've seen in the movies. It's a shame something more memorable doesn't happen there. "Batman" is a triumph of design over story, style over substance - a great-looking movie with a plot you can't care much about. All of the big moments in the movie are pounded home with ear-shattering sound effects and a jackhammer cutting style, but that just serves to underline the movie's problem, which is a curious lack of suspense and intrinsic interest..."Batman" discards the recent cultural history of the Batman character - the camp 1960s TV series, the in-joke comic books - and returns to the mood of the 1940s, the decade of film noir and fascism...The movie is set at the present moment, more or less, but looks as if little has happened in architecture or city planning since the classic DC comic books created that architectural style you could call Comic Book Moderne. The streets of Gotham City are lined with bizarre skyscrapers that climb cancerously toward the sky, held up (or apart) by sky bridges and stresswork that look like webs against the night sky...Director Tim Burton and his special effects team have created a visual place that has some of the same strength as Fritz Lang's "Metropolis" or Ridley Scott's futuristic Los Angeles in "Blade Runner." The gloominess of the visuals has a haunting power. Nicholson has one or two of his patented moments of inspiration, although not as many as I would have expected. And the music by Prince, intercut with classics, is effectively joined in the images. The movie's problem is that no one seemed to have any fun making it, and it's hard to have much fun watching it. It's a depressing experience. Is the opposite of comic book "tragic book"? - Roger Ebert