Album Notes and Credits
Notes & Personnel Info
|The Beatles: John Lennon (vocals, guitar, harmonica); George Harrison (vocals, 6- & 12-string guitars); Paul McCartney (vocals, bass); Ringo Starr (drums).|
|Additional personnel: George Martin (piano).|
|Recorded at Abbey Road Studios, London, England and EMI Pathe Studios, Paris, France.|
|The Beatles: John Lennon (vocals, guitar, piano); George Harrison (vocals, guitar, African drum); Paul McCartney (vocals, piano, Hammond organ, bass); Ringo Starr (vocals, drums, timpani, percussion).|
|Additional personnel: George Martin (piano).|
|Includes liner notes by Derek Taylor.|
|This reissue of BEATLES FOR SALE has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album.|
|Audio Remasterers: Sean Magee; Sam O'Kell; Steve Rooke; Guy Massey; Paul Hicks.|
|Liner Note Authors: Mike Heatley; Derek Taylor; Kevin Howlett.|
|Recording information: 08/11/1964-10/26/1964.|
|Photographer: Robert Freeman.|
|It was inevitable that the constant grind of touring, writing, promoting, and recording would grate on the Beatles, but the weariness of Beatles for Sale comes as something of a shock. Only five months before, the group released the joyous A Hard Day's Night. Now, they sound beaten, worn, and, in Lennon's case, bitter and self-loathing. His opening trilogy ("No Reply," "I'm a Loser," "Baby's in Black") is the darkest sequence on any Beatles record, setting the tone for the album. Moments of joy pop up now and again, mainly in the forms of covers and the dynamic "Eight Days a Week," but the very presence of six covers after the triumphant all-original A Hard Day's Night feels like an admission of defeat or at least a regression. (It doesn't help that Lennon's cover of his beloved obscurity "Mr. Moonlight" winds up as arguably the worst thing the group ever recorded.) Beneath those surface suspicions, however, there are some important changes on Beatles for Sale, most notably Lennon's discovery of Bob Dylan and folk-rock. The opening three songs, along with "I Don't Want to Spoil the Party," are implicitly confessional and all quite bleak, which is a new development. This spirit winds up overshadowing McCartney's cheery "I'll Follow the Sun" or the thundering covers of "Rock & Roll Music," "Honey Don't," and "Kansas City/Hey-Hey-Hey-Hey!," and the weariness creeps up in unexpected places -- "Every Little Thing," "What You're Doing," even George's cover of Carl Perkins' "Everybody's Trying to Be My Baby" -- leaving the impression that Beatlemania may have been fun but now the group is exhausted. That exhaustion results in the group's most uneven album, but its best moments find them moving from Merseybeat to the sophisticated pop/rock they developed in mid-career. ~ Stephen Thomas Erlewine|
Producer: George Martin
Engineer: Norman Smith
Arthur Alexander | Bill Haley | Bob Dylan | Buck Owens | Buddy Holly | Carl Perkins (Rockabilly) | Chuck Berry | Eddie Cochran | Elvis Presley | Fats Domino | Gene Vincent | Jerry Lee Lewis | Johnny Kidd & the Pirates | Larry Williams (Piano/Singer) | Little Richard | Little Willie John | Lonnie Donegan | Phil Spector | Ravi Shankar | Roy Orbison | Smokey Robinson | The Everly Brothers | The Isley Brothers | The Marvelettes | The Shadows | The Shirelles | The Supremes
Bee Gees | Billy J. Kramer | Chad & Jeremy | David & Jonathan | Donovan | Emitt Rhodes | Freddie & the Dreamers | Gerry & the Pacemakers | Grapefruit | Herman's Hermits | Jimi Hendrix | Kippington Lodge | Love | Manfred Mann (Group) | Mary Hopkin | P.F. Sloan | Peter & Gordon | Pink Floyd | Small Faces | The Animals | The Association | The Beach Boys | The Beau Brummels | The Blue Things | The Bobby Fuller Four | The Byrds | The Creation | The Dave Clark Five | The Easybeats | The Fourmost | The Hollies | The Idle Race | The Kinks | The Left Banke | The Liverbirds | The Lovin' Spoonful | The Merry-Go-Round | The Monkees | The Moody Blues | The Move | The Palace Guard | The Pretty Things | The Remains | The Rolling Stones | The Searchers | The Shadows | The Sorrows (UK) | The Tornados | The Undertakers (UK) | The Who | The Yardbirds | The Zombies | Them | Tomorrow | Wayne Fontana and the Mindbenders
10cc | ABBA | ABC | Aerosmith | Ambrosia | Argent | Aztec Camera | Badfinger | Bay City Rollers | Bee Gees | Belle and Sebastian | Big Star | Big Time Rush | Billy Joel | Billy Squier | Blue ?yster Cult | Blur | Boston | Bread | Buffalo Springfield | Carpenters | Cat Stevens | Chad & Jeremy | Cheap Trick | Coldplay | Color Bars | Cream | Crowded House | Danger Mouse | David Bowie | Devan Dubois | Donovan | Dwight Twilley | Electric Light Orchestra | Elliott Smith | Elton John | Emerson, Lake & Palmer | Emitt Rhodes | Empty Hearts | Fauna Flora | Flamin' Groovies | Fleetwood Mac | Foo Fighters | Frank Ocean | Freddie & the Dreamers | Genesis (U.K. Band) | George Michael | Glee | Grateful Dead | Hsker D | Harry Nilsson | Herman's Hermits | Iron Butterfly | It's a Beautiful Day | Jackson Browne | James Taylor (Soft Rock) | Jason Falkner | Jeff Lynne | Jefferson Airplane | Jellyfish | Jimi Hendrix | Joe Jackson | John McCullagh | Jonathan Richman | Kansas | Kate Bush | King Crimson | Led Zeppelin | Lenny Kravitz | Lloyd Cole | Love | M. Ward | Manfred Mann (Individual) | Marmalade | Marshall Crenshaw | Matthew Sweet | Michael Jackson | Mikey Wax | Moby Grape | Modern English | Mott the Hoople | Neutral Milk Hotel | Nick Lowe | Nick Piunti | Nirvana (US) | Oasis | Pete Macleod | Peter & Gordon | Peter Frampton | Phil Ajjarapu | Pink Floyd | Pixies | Portugal. The Man | Prefab Sprout | Prince | Procol Harum | Queen | Quicksilver Messenger Service | R. Stevie Moore | Rick Springfield | Robyn Hitchcock | Rockpile | Sebadoh | Simon & Garfunkel | Sloan | Small Faces | Sonny & Cher | Spirit | Split Enz | Spoon | Squeeze | Status Quo (UK) | Steely Dan | Supergrass | Supertramp | Syd Barrett | T. Rex | Teenage Fanclub | The Alan Parsons Project | The Apples in Stereo | The Association | The Beau Brummels | The Byrds | The Cars | The Chameleons UK | The Church | The Creases | The dB's | The Dream Academy | The Dukes of Stratosphear | The Feelies | The Go-Go's | The Guess Who | The House of Love | The Idle Race | The Iveys | The Jam | The Kik | The Knack (US) | The La's | The Left Banke | The Legal Matters | The London Souls | The Lovin' Spoonful | The Mamas & the Papas | The Merry-Go-Round | The Monkees | The Moody Blues | The Move | The Nazz | The Neon Philharmonic | The Nice | The Police | The Posies | The Pretty Reckless | The Raspberries | The Replacements | The Residents | The Rockin' Berries | The Rubinoos | The Rutles | The Shilohs | The Sir Douglas Quintet | The Smithereens | The Soft Boys | The Spongetones | The Stone Roses | The Three O'Clock | The Turtles | The Who | The Zombies | Third Eye Blind | Todd Rundgren | Tom Petty | Traffic | Travis (UK) | U2 | Utopia | Vanilla Fudge | Weezer | World Party | XTC | Yes
Associated Artists and Works
|Release Date : 09/09/2009|
|Original Release Date : 1964|
|Catalog ID : 3824142|
|Label : Apple Corps|
|Number of Discs : 1|
|Studio/Live : Studio|
|Mono/Stereo : Stereo|
|SPAR Code : n/a|
|UPC : 00946382414236|
- "[T]he caliber of songwriting on the few originals remains high. Lennon continues his confessional-folk bent..."
- "[Lennon] delivers songs with a depth and confessional quality the band had not yet displayed..."
"I have never seen anything like it. Nor heard any noise to approximate the ceaseless, frantic, hysterical scream which met the Beatles when they took the stage after what seemed a hundred years of earlier acts. All very good, all marking time, because no one had come for anything other than the Beatles...
Then the theatre went wild. First aid men and police -- men in the stalls, women mainly in the balcony -- taut and anxious, patrolled the aisles, one to every three rows.
Many girls fainted. Thirty were gently carried out, protesting in their hysteria, forlorn and wretched in an unrequited love for four lads who might have lived next door.
The stalls were like a nightmare March Fair. No one could remain seated. Clutching each other, hurling jelly babies at the stage, beating their brows, the youth of Britain's second city surrendered themselves totally."
- Derek Taylor (From his book Fifty Years Adrift)
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