Burnin' Grooves CD (2001)

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Product Overview

Specifications

Label Summit
SKU 60498972
UPC 099402304922
UPC 14 00099402304922
Format CD
Release Date 9/4/2001
Links
Author Tony Monaco Trio
Associated Artist/Work Paul, Howard (Georgia)
Technical Info
Producer Tony Monaco; Joey DeFrancesco; Joey DeFrancesco
CatalogID DCD 304
Lable Name Summit Records
Released 09/04/2001
Original Release 2001
Number of Discs 1
SPARE Code n/a
Length 54m : 37s
Mono/Stereo Stereo
Studio/Live Studio
UPC 00099402304922
Musical Guests
Joey DeFrancesco
Album Notes and Credits
Personnel: Tony Monaco (vocals, Hammond B3 organ); Joey DeFrancesco (piano); Paul Bollenback, Derek DiCenzo (guitar); Byron Landham, Louis Tsamous (drums).
Recorded at Hunnicut Studio, Phoenix, Arizona and Thornapple Recording Studio, Columbus, Ohio. Includes liner notes by Pete Fallico.
Personnel: Tony Monaco (vocals); Tony Monaco (organ); Derek DiCenzo (guitar); Paul Bollenback (guitar); Joey DeFrancesco (piano); Byron Landham (drums).
Liner Note Author: Pete Fallico.
Recording information: Hunnicut Studio, Phoenix Arizona (03/??/2000-03/05/2000); Thornappel Recording Studio, Columbus, OH (03/??/2000-03/05/2000).
On the road to becoming a first-class operator of the B3 Hammond organ, Columbus, OH, native Tony Monaco has had to overcome roadblocks. The major one was a polio-like debilitating disease which forced him to change from accordion to organ. Another was the demands of a family business followed by the return of the disease. Undeterred, Monaco has made two albums with his trio, Burnin' Grooves being the second. He's joined on six tracks by his organ-playing peer, Joey DeFrancesco, who sits in on the piano. Monaco's playing exudes an exuberance that combines chitlin' rhythm & blues with gospel, especially on such cuts as "Ashleen." If this were being played before a live audience, they might jump up, exclaiming "Hallelujah" at the end. The Jimmy Smith influence is evident, as it should be given Monaco's fascination with the master's recordings at a young age. Given the strength of the B3, it would be easy to let it dominate other members of the trio. Instead, regular trio guitarist Paul Bollenback stretches out on such tracks as "Bluesette." For most tracks, Joey DeFrancesco's piano is submissive to Monaco's organ. But on "Girl Talk" he lets loose, backing Monaco's vocals (so much for the doctors who diagnosed he would never sing again). The blues-hued material gets set aside for a bouncy rendition of Blue Mitchell's "Fungi Mama," the guitar again playing a major role, this time by Derek DiCenzo. This album is indisputable evidence as to why organ trios have consistently been a popular combination in jazz, especially after the adoption of the flexible, electronic Hammond B3 by Fats Waller in 1939. It's also indisputable evidence that Tony Monaco deserves a spot in the upper echelon of the instrument's leading champions. ~ Dave Nathan
Disc 1
1 Blues For T
2 Backward Shack
3 Girl Talk
4 Fungi Mama
5 Jumpin The Blues
6 Ashleen
7 Bluesette
8 Road Song
9 So Long For Now
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