||Nelson Algren may have been born in Detroit, but he became a man on the delinquent streets of Chicago, which he later immortalized in novels such as THE MAN WITH THE GOLDEN ARM and NEVER COME MORNING and in this sprawling, sonorous prose poem, which was chastised by city supporters when it first appeared in 1951. Written somewhat in response to Carl Sandburg's more romanticized poetic portrait of Chicago, Algren's furious lyrical ode to his hometown excoriates and celebrates the grand dereliction and magnificent transgression which has come to define America's Second City, from the 1919 Black Sox scandal to the Prohibition-fueled excess of Al Capone's criminal empire.
||?Once you?ve become a part of this particular patch, you?ll never love another. Like loving a woman with a broken nose, you may well find lovelier lovelies. But never a lovely so real.?|Ernest Hemingway once said of Nelson Algren?s writing that ?you should not read it if you cannot take a punch.? The prose poem, Chicago: City on the Make, filled with language that swings and jabs and stuns, lives up to those words. In this sixtieth anniversary edition, Algren presents 120 years of Chicago history through the lens of its ?nobodies nobody knows?: the tramps, hustlers, aging bar fighters, freed death-row inmates, and anonymous working stiffs who prowl its streets.|Upon its original publication in 1951, Algren?s Chicago: City on the Make was scorned by the Chicago Chamber of Commerce and local journalists for its gritty portrayal of the city and its people, one that boldly defied City Hall?s business and tourism initiatives. Yet the book captures the essential dilemma of Chicago: the dynamic tension between the city?s breathtaking beauty and its utter brutality, its boundless human energy and its stifling greed and violence.|The sixtieth anniversary edition features historic Chicago photos and annotations on everything from defunct slang to Chicagoans, famous and obscure, to what the Black Sox scandal was and why it mattered. More accessible than ever, this is, as Studs Terkel says, ?the best book about Chicago.?