Dance for Export : Cultural Diplomacy and the Cold War (Paperback)

Author: Prevots, Naima

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Product Overview

At the height of the Cold War in 1954, President Dwight D. Eisenhower inaugurated a program of cultural exchange that sent American dancers and other artists to political "hot spots" overseas. This peacetime gambit by a wartime hero to win the hearts and minds of Cold War enemies was a resounding success.

Among the artists chosen for international duty were Jose Limon, who led his company on the first government-sponsored tour of South America; Martha Graham, whose famed ensemble crisscrossed southeast Asia; Alvin Ailey, whose company brought audiences to their feet throughout the South Pacific; and George Balanchine, whose New York City Ballet crowned its triumphant visits to Western Europe and Japan with an epoch-making tour of the Soviet Union in 1962. The success of Eisenhower's program of cultural export led directly to the creation of the National Endowment for the Arts and Washington's Kennedy Center.

Naima Prevots draws on an array of previously unexamined sources, including formerly classified State Department documents, congressional committee hearings, and the minutes of the Dance Panel, to reveal the inner workings of "Eisenhower's Program, " the complex set of political, fiscal, and artistic interests that shaped it, and the ever-uneasy relationship between government and the arts in the United States.

Specifications

Publisher Univ Pr of New England
Mfg Part# 9780819564641
SKU 30716774
Format Paperback
ISBN10 0819564648
Release Date 4/10/2007
Physical
Dimensions (in Inches) 9.75H x 6.75L x 0.5T
From the Publisher
Editors Note At the height of the Cold War in 1954, President Eisenhower inaugurated a program of cultural exchange that sent American dancers and other artists to political "hot spots" overseas. This peacetime gambit by a warrior hero was a resounding success.Among the artists chosen for international duty were Jose Limon, who led his company on the first government-sponsored tour of South America; Martha Graham, whose famed ensemble crisscrossed southeast Asia; Alvin Ailey, whose company brought audiences to their feet throughout the South Pacific; and George Balanchine, whose New York City Ballet crowned its triumphant visits to Western Europe and Japan with an epoch-making tour of the Soviet Union in 1962. The success of Eisenhower's program of cultural export led directly to the creation of the National Endowment for the Arts and Washington's Kennedy Center.Naima Prevots draws on an array of previously unexamined sources, including formerly classified State Department documents, congressional committee hearings, and the minutes of the Dance Panel, to reveal the inner workings of "Eisenhower's Program," the complex set of political, fiscal, and artistic interests that shaped it, and the ever-uneasy relationship between government and the arts in the US.CONTRIBUTORS: Eric Foner.
Product Attributes
Book Format Paperback
Number of Pages 0188
Publisher Wesleyan
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