Exile On Main Street (1972)
| Artist: Rolling Stones |
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Product Details:
Format: CD
Manufacturer: Universal Music Group
Sku: 215401319
UPC: 602527016405
UPC 14: 00602527016405
Release Date: 5/18/2010
Sales Rank: 2187
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Song Listing
Disc 1
Song Title
1. Rocks Off ~ The Rolling Stones
2. Rip This Joint ~ The Rolling Stones
3. Shake Your Hips ~ The Rolling Stones
4. Casino Boogie ~ The Rolling Stones
5. Tumbling Dice ~ The Rolling Stones
6. Sweet Virginia ~ The Rolling Stones
7. Torn and Frayed ~ The Rolling Stones
8. Sweet Black Angel ~ The Rolling Stones
9. Loving Cup ~ The Rolling Stones
10. Happy ~ The Rolling Stones
11. Turd On the Run ~ The Rolling Stones
12. Ventilator Blues ~ The Rolling Stones
13. I Just Want To See His Face ~ The Rolling Stones
14. Let It Loose ~ The Rolling Stones
15. All Down the Line ~ The Rolling Stones
16. Stop Breaking Down ~ The Rolling Stones
17. Shine a Light ~ The Rolling Stones
18. Soul Survivor ~ The Rolling Stones
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2010 reissue of the classic album housed in a super-jewel case. |
Album Notes and Credits
Notes & Personnel Info |
|
| The Rolling Stones: Mick Jagger (vocals, guitar, harmonica); Keith Richards (vocals, guitar, piano, bass); Mick Taylor (guitar, bass); Bill Wyman (bass); Charlie Watts (drums). | |
| Additional personnel: Al Perkins (steel guitar); Bobby Keys (saxophone, percussion); Jim Price (trumpet, trombone, organ); Ian Stewart, Nicky Hopkins (piano); Billy Preston (keyboards); Amyl Nitrate (marimba); Bill Plummer (acoustic & electric basses); Jimmy Miller (drums, percussion); Clydie King, Vanetta, Jerry Kirkland, Tammi Lynn, Shirley Goodman, Joe Green, Kathi McDonald (background vocals). | |
| Personnel: Keith Richards (vocals, guitar); Mick Jagger (vocals, percussion); Mick Taylor (guitar); Bobby Keys (saxophone); Jim Price (trumpet, trombone); Nicky Hopkins (piano); Charlie Watts (drums). | |
| Photographer: Norman Seeff. | |
| Still inspired by their STICKY FINGERS recording sessions in Muscle Shoals, Alabama, EXILE ON MAIN STREET found the Rolling Stones sounding more like a Southern fried juke-joint band than ever before. That EXILE was recorded in a basement is no surprise, either--much of it sounds as if it was recorded live at a gospel revival, with a final mix that gives no hierarchy to specific instruments. The result is a swampy, most exhilarating chunk of rock & roll euphoria. | |
| EXILE sharpens the country, blues, and gospel tendencies the Stones began exploring in the late '60s on albums like BEGGAR'S BANQUET. Here, armed with an assortment of backing musicians and vocalists, the band virtually inhabits the spirit of each style, distilling the whole to a ragged, soulful perfection. From the escalating, horn-driven vamps of "Rocks Off" through the back porch singalong "Sweet Virginia" to the mean blues stomp of "Ventilator Blues" and the church-like strains of "Shine a Light," EXILE's double-album length plays like a weary, boozed-up sermon on the very meaning of rock music. This is the closest the band ever came to religion, and it still has the power to convert. | |
Producer: Jimmy Miller |
|
Engineer: Glyn Johns; Andy Johns; Joe Zaganno |
|
Compilation Appearances
Associated Artists and Works
Technical Info
| Release Date : 05/17/2010 | |
| Original Release Date : 1972 | |
| Catalog ID : 2701640 | |
| Label : Ume | |
| Number of Discs : 1 | |
| Studio/Live : Studio | |
| Mono/Stereo : Stereo | |
| SPAR Code : n/a | |
| UPC : 00602527016405 |
Professional Reviews
Rolling Stone (12/11/03, p.90)
- Ranked #7 in Rolling Stone's "500 Greatest Albums Of All Time" - "...EXILE ON MAIN STREET is the Stones at their fighting best, armed with blues, playing to win..."
- Ranked #7 in Rolling Stone's "500 Greatest Albums Of All Time" - "...EXILE ON MAIN STREET is the Stones at their fighting best, armed with blues, playing to win..."
Rolling Stone (7/6/72, p.54)
- "...continual topping of one's self can only go on for so long, after which one must sit back and sustain what has already been built. And with EXILE the Stones have chosen to sustain for the moment..." -Lenny Kaye
- "...continual topping of one's self can only go on for so long, after which one must sit back and sustain what has already been built. And with EXILE the Stones have chosen to sustain for the moment..." -Lenny Kaye
Q (6/00, p.91)
- Ranked #3 in Q's "100 Greatest British Albums" - "...The Stones were at their most creative. The music simply flowed. The sound that emerged was dirty, sexy, soulful, f!ed-up and funky....a dizzy peak which the Stones never scaled again..."
- Ranked #3 in Q's "100 Greatest British Albums" - "...The Stones were at their most creative. The music simply flowed. The sound that emerged was dirty, sexy, soulful, f!ed-up and funky....a dizzy peak which the Stones never scaled again..."
NME (Magazine)
(10/2/93, p.29)
- Ranked #11 in NME's list of the `Greatest Albums Of All Time.'
(10/2/93, p.29)
- Ranked #11 in NME's list of the `Greatest Albums Of All Time.'
NME (Magazine)
(9/11/93, p.18)
- Ranked #5 among The Greatest Albums Of The '70s - "...Definitive cigarette-in-mouth, fall-about rock 'n' roll..."
(9/11/93, p.18)
- Ranked #5 among The Greatest Albums Of The '70s - "...Definitive cigarette-in-mouth, fall-about rock 'n' roll..."
NME (Magazine)
(7/9/94, p.43)
- 10 - Classic - "...stands as perhaps the band's finest hour. A sprawling, dense yet compelling concoction of their romance with America's black musics..."
(7/9/94, p.43)
- 10 - Classic - "...stands as perhaps the band's finest hour. A sprawling, dense yet compelling concoction of their romance with America's black musics..."
Paste (magazine)
- "The album's murk puts it in a unique place among both Stones albums and rock classics..."
- "The album's murk puts it in a unique place among both Stones albums and rock classics..."
Pitchfork (Website)
- "[T]he sweat, grimy EXILE ON MAIN ST. has grown into the Rolling Stones' most universally acclaimed record."
- "[T]he sweat, grimy EXILE ON MAIN ST. has grown into the Rolling Stones' most universally acclaimed record."
Uncut (magazine)
(p.104)
- 5 stars out of 5 -- "[T]heir masterpiece, an 18-track distillation of blues, soul, country, gospel and rock, all shot through with the Stones' brand of carnality, vitriol and (occasionally)
nobility."
(p.104)
- 5 stars out of 5 -- "[T]heir masterpiece, an 18-track distillation of blues, soul, country, gospel and rock, all shot through with the Stones' brand of carnality, vitriol and (occasionally)
nobility."

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