Learn more about Fort Freak:
Publish Date: 6/21/2011
(in Inches) 9.5H x 6.75L x 1.25T
|Readers get to know the hardbitten world of Manhattan''s Fifth Precinct--or "Fort Freak," as cops and malefactors alike call the cop-shop where every other desk sergeant, detective, and patrol officer is more than human. This mosaic novel features original work by writers with the ongoing Wild Cards project.|
|From the Publisher:
In 1946, an alien virus that rewrites human DNA was accidentally unleashed in the skies over New York City. It killed ninety percent of those it infected. Nine percent survived, mutated into tragically deformed creatures. And one percent gained superpowers. The Wild Cards shared-universe series, created and edited by New York Times #1 bestseller George R. R. Martin (called “the American Tolkien” by Time), is the tale of the history of the world since then—and of the heroes among the one percent.
Now, in the latest Wild Cards mosaic novel, we get to know the hardbitten world of Manhattan’s Fifth Precinct—or “Fort Freak,” as cops and malefactors alike call the cop-shop where every other desk sergeant, detective, and patrol officer is more than human.
Featuring original work by writers such as Cherie Priest, author of the bestselling Boneshaker; Paul Cornell, Hugo–nominated comic book and Doctor Who writer; David Anthony Durham, winner of 2009’s John W. Campbell Award for Best New Writer; and many others, Fort Freak is one of the strongest offerings yet in the ongoing Wild Cards project.
George Richard Raymond Martin began writing very early, and says that he sold original monster stories to neighborhood kids for pennies--a price which apparently included dramatic readings of these tales. Martin graduated summa cum laude from Northwestern University with a B.S. in journalism. The next year he received a master's degree, also in journalism, and published his first stories, "Songs the Dead Man Sing" and "The Hero". A conscientious objector during the Vietnam War, Martin worked with the Cook County Legal Assistance Foundation as an alternate service. Throughout the 1970s he worked a number of jobs--including teaching journalism and directing chess tournaments--while continuing to write. Martin won his first Hugo in 1975 for "A Song for Lya". His first novel, DYING OF THE LIGHT, received a Hugo nomination in 1978. Ending the 1970s with a bang, he won two more Hugos, both in 1980, one for the story "Sandkings", which also garnered Martin his first Nebula Award. The early 1980s saw the release of two extraordinary novels, FEVRE DREAM and THE ARMAGEDDON RAG. The first of these, a brilliant novel of vampires stalking the Mississippi River towns of the 1800s, remains one of the greatest vampire novels ever written. The second is a searing indictment of America in the 1970s, couched in a strange tale of possession and power in the world of rock & roll. Both novels were nominated for the prestigious World Fantasy Award. Continuing to write award-winning short fiction, Martin began to work in television in the mid-1980s. He was a script editor on the revived TWILIGHT ZONE show, later moving to the enormously popular BEAUTY AND THE BEAST, for which he eventually became the executive producer. In 1987 he introduced an anthology series under the title Wild Cards, which he edited and occasionally contributed stories. This series proved remarkable successful and has expanded to over 30 books. Martin devoted much of the early 1990s to writing one novel, the massive A GAME OF THRONES. This epic fantasy work, the first of a projected series, was met with great acclaim, with many claiming it to be the best high-fantasy novel ever. Its sequel, A CLASH OF KINGS, cemented this theory for many fans, and, with this series, it looks like Martin will remain at the front of the field for a very long time.