Get Lifted (2004)
| Artist: John Legend |
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Product Details:
Format: CD
Manufacturer: Cbs/epic/wtg Records
Sku: 63910853
UPC: 827969277621
UPC 14: 00827969277621
Release Date: 12/28/2004
See more in R&B / Soul
Song Listing
Disc 1
Song Title
1. Prelude ~ John Legend
2. Let's Get Lifted ~ John Legend
3. Used To Love U ~ John Legend
4. Alright ~ John Legend
5. She Don't Have To Know ~ John Legend
6. Number One ~ John Legend
7. I Can Change ~ John Legend
8. Ordinary People ~ John Legend
9. Stay With You ~ John Legend
10. Let's Get Lifted Again ~ John Legend
11. So High ~ John Legend
12. Refuge (When It's Cold Outside) ~ John Legend
13. It Don't Have to Change ~ John Legend
14. Live It Up ~ John Legend
| A musical protégé from an early age, 23 year old John Legend has worked with some of the biggest names in music, and now his debut album, Get Lifted. album, which is John's first on a major label, features guest appearances by Kanye West and Snoop Dogg as well as production by Will.I.Am of the Black Eyed Peas. |
Album Notes and Credits
Notes & Personnel Info |
|
| Personnel: John Legend (vocals, piano, Fender Rhodes piano, organ, keyboards); John Legend; Kanye West (vocals, rap vocals, programming, drum programming); Tarrey Torae, Vaughn Stephens, MBalia Singley, A. Wayne Stephens, Ronald Stephens, Kashaan Stephens (vocals, background vocals); Clarence "Sleepy" Anderson, Lenesha Randolph, Tarey Torae, James Roston, Na2, Candace Anderson, Tara Michel, Candice Anderson (vocals); Dave Tozer (guitar, keyboards, bass guitar, programming, drum programming); Glen Jeffery, George Pajon, Curtis Jay, Jayme Kelly Curtis, Sharief Hobley (guitar); Corey Hogan (saxophone); Steve Tirpak, Jenee Dixon (trumpet); Elizabeth Lea (trombone); Horn Dogs (horns); will.i.am (Clavinet, Moog synthesizer, programming, drum programming); Jeremy Dyen (synthesizer); Swiss Chris Flueck, Jimmy Coleman (drums); Ted Chung, Shvona, Ronald "Bumper" Stephnes (hand claps); Brett Stephens, Marjorie Stephens, Brandy Stephens, Vada Stephens, Phyllis E. Stephens, Doris Stephens, Dionne Stephens, Phyllis Y. Stephens (background vocals); Snoop Dogg (vocals, rap vocals, spoken vocals); Miri Ben-Ari (strings); Tim Izo (flute, saxophone); Printz Board (trumpet). | |
| Audio Mixer: Manny Marroquin. | |
| Recording information: Sony Music Studios, New York, NY; Sound Images, Cincinnate, OH; Studio Crash, Philadelphia, PA; The Record Plant, Los Angeles, CA; The Stechia, Los Feliz, CA; The Stewchia, Los Feliz, CA; WEstlake Studios, Los Angeles, CA. | |
| Photographers: Patricia Tyree; Danny Clinch. | |
| Unknown Contributor Role: Matt Hueneman. | |
| Arranger: Miri Ben-Ari. | |
| Six years after cutting his musical teeth as a teen, tickling the ivories on the classic Lauryn Hill single "Everything Is Everything," John Stephens popped up everywhere in 2004, going by the bold name of John Legend. His ubiquity was unsurprising, since he was taken under the wing of Kanye West, the year's breakout success, who tabbed Legend "the future of hip-hop." It's an interesting label for a man whose elegant voice and schooled songwriting conjures up Bill Withers and Al Green, but sometimes the future intersects with the past in a manner transcending revival. | |
| Legend drops his debut, GET LIFTED, into the center of the neo-soul universe, and it's a charming, earnest record. Sometimes he dives into a contemporary slow jam, as on "Let's Get Lifted;" other times he finds a groove the Delfonics would be proud of, as on the West-driven "Number One." On the gently gorgeous "Ordinary People, " however, it's just the man and his piano. Whether he's truly the future direction of any genre or not, Legend is an artist to watch, and GET LIFTED offers the first major taste of his talent. | |
Producer: John Legend; Miri Ben-Ari; Kanye West; Will.I.Am; Dave Tozer; Devon Harris; Paul Cho; John Legend; Kanye West; Will.I.Am; Dave Tozer |
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Engineer: Dave Tozer; Jun Ishizeki; Jason Villaroman; Anthony Kilhoffer; Aaron Fessel; Andrew Dawson; McGowan McGowan Southworth; Andy Manganello; Pete Donelly; Michael Harmon; Michael Peters |
|
Musical Guests | |
| Snoop Dogg | |
| Kanye West | |
| Will.I.Am | |
| Lauryn Hill | |
Artist Overview
Though it appears that he emerged fully-formed in 2004 from the mind of Kanye West, John Legend got his start on the East Coast in the mid 1990s as John Stephens, a promising neo-soul piano-player and songwriter. After he garnered the attention of Lauryn Hill--on whose 1998 classic Legend played--many high-profile studio gigs followed, including a pivotal one co-writing and playing on Kanye West's smash debut. West, impressed with Stephens's abilities, signed him (as "John Legend") to his production company and co-produced his debut album, GET LIFTED, a soul-hip-hop hybrid that wowed critics and listeners alike. Thus rechristened, a Legend was born.
Artist Influences
Al Green (Vocals) | Babyface | Bill Withers | Donny Hathaway | Erykah Badu | Maxwell (R&B) | Raphael Saadiq | Stevie Wonder
Al Green (Vocals) | Babyface | Bill Withers | Donny Hathaway | Erykah Badu | Maxwell (R&B) | Raphael Saadiq | Stevie Wonder
Artist Contemporaries
Alicia Keys | Aloe Blacc | Anthony Hamilton | Chrisette Michele | Cody ChesnuTT | Corinne Bailey Rae | Donnie | Dwele | Jamie Foxx | Ledisi | Marques Toliver | Maxwell (R&B) | Mic Donet | Musiq (Soulchild) | Ne-Yo | Noel Gourdin | Rahsaan Patterson | Robin Thicke | The Script | Van Hunt
Alicia Keys | Aloe Blacc | Anthony Hamilton | Chrisette Michele | Cody ChesnuTT | Corinne Bailey Rae | Donnie | Dwele | Jamie Foxx | Ledisi | Marques Toliver | Maxwell (R&B) | Mic Donet | Musiq (Soulchild) | Ne-Yo | Noel Gourdin | Rahsaan Patterson | Robin Thicke | The Script | Van Hunt
Compilation Appearances
Associated Artists and Works
| Magnetic Man |
Technical Info
| Release Date : 12/28/2004 | |
| Original Release Date : 2004 | |
| Catalog ID : 92776 | |
| Label : Columbia (USA) | |
| Number of Discs : 1 | |
| Studio/Live : Studio | |
| Mono/Stereo : Stereo | |
| SPAR Code : n/a | |
| UPC : 00827969277621 |
Professional Reviews
Rolling Stone (p.108)
- 4 stars out of 5 - "His brand of soul is mannered, even elegant. And he's got range..."
- 4 stars out of 5 - "His brand of soul is mannered, even elegant. And he's got range..."
Spin (p.88)
- "[M]ashing up Sunday-service passion and request-line soul. His voice leans on subtlety more than melisma, and his sound has a crisp live-band jump, rather than canned neo-soul static." - Grade: A-
- "[M]ashing up Sunday-service passion and request-line soul. His voice leans on subtlety more than melisma, and his sound has a crisp live-band jump, rather than canned neo-soul static." - Grade: A-
Entertainment Weekly (p.85)
- "Like Ray Charles, Legend joins the spiritual and the secular in satisfying, sexy ways....Almost every tune seduces with catchy hooks and soulful singing..." - Grade: A-
- "Like Ray Charles, Legend joins the spiritual and the secular in satisfying, sexy ways....Almost every tune seduces with catchy hooks and soulful singing..." - Grade: A-
Q (p.121)
- "[He has] a gift for writing crowd-pleasing songs, whether upbeat and funky or spare and introspective..."
- "[He has] a gift for writing crowd-pleasing songs, whether upbeat and funky or spare and introspective..."
Uncut (p.132)
- 3 stars out of 5 - "[H]e introduces some intriguing new variations on the retro R&B template....Jeff Buckely is surprisingly brought to mind in Legend's passionately fragile delivery."
- 3 stars out of 5 - "[H]e introduces some intriguing new variations on the retro R&B template....Jeff Buckely is surprisingly brought to mind in Legend's passionately fragile delivery."
Vibe (p.144)
- 5 discs out of 5 - "It's refreshing to hear a male vocalist who has enough talent to be more than a legend in his own mind."
- 5 discs out of 5 - "It's refreshing to hear a male vocalist who has enough talent to be more than a legend in his own mind."
Mojo (Publisher)
(p.63)
- Ranked #43 in Mojo's "The 50 Best Albums Of 2005" - "[L]ayering choral gospel on hip hop's brag in a style bowing to Stevie and Curtis."
(p.63)
- Ranked #43 in Mojo's "The 50 Best Albums Of 2005" - "[L]ayering choral gospel on hip hop's brag in a style bowing to Stevie and Curtis."









