|Artist: Rolling Stones|
|Get Yer Ya-Ya's Out! The Rolling Stones In Concert 40th Anniversary Super Deluxe LP Box Set features three 180 gram audiophile quality vinyl LPs (one side of which features an etched replica of the album's key art, with signatures from Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman and Mick Taylor), 3 CDs that mirror the exact content on the LPs, 1 DVD, a 12 X 12/56-page Collector's Book and a 12 X 12 replica of the original 1969 tour poster by Grammy Award winning artist David Byrd, whose works include the commemorative poster from the original Woodstock Festival and the historic Fillmore East posters from 1968 to1971. The first LP is a newly remastered version of the original Get Yer Ya-Ya's Out! release. The second LP features 5 unreleased tracks by The Rolling Stones culled from the November 27 & 28, 1969 Madison Square Garden concert master tapes. The third LP features 12 never before released tracks by opening acts B.B. King and Ike & Tina Turner. The DVD features performances by The Rolling Stones from their 2 night concert at Madison Square Garden, backstage footage, scenes of Keith Richards in the studio and footage of the Get Yer Ya-Ya's Out! album cover shoot, all shot by Albert and David Maysles. The 56-page Collector's Book includes photos and an essay by acclaimed photographer Ethan Russell, an original article by Lester Bangs from Rolling Stone Magazine and remembrances from concert-goers. A limited number of the Super Deluxe LP Box Set will also contain an insert with a code to download "I'm Free (Live)" for Guitar Hero 5.|
Get Yer Ya-Ya's Out! Track Listing
Unreleased CD Track Listing
B.B. King and Ike & Tina Turner Sets Track Listing
DVD Track Listing
Album Notes and Credits
Notes & Personnel Info
|The Rolling Stones: Mick Jagger (vocals, harmonica); Keith Richards (guitar, background vocals); Mick Taylor (guitar); Bill Wyman (bass); Charlie Watts (drums).|
|Additional personnel includes: Ian Stewart (piano).|
|Recorded live at Madison Square Garden, New York, New York on November 27-28, 1969.|
|Personnel: Mick Jagger (vocals); Mick Taylor (guitar, slide guitar); Keith Richards (guitar, resonator guitar, background vocals); Ian Stewart (piano); Charlie Watts (drums).|
|Audio Mixers: Glyn Johns; Jonathan Y.B. Porath; Martin Czembor; Andy Johns; Roy Thomas Baker; Steve Rosenthal.|
|Liner Note Author: Lester Bangs.|
|Recording information: Madison Square Garden, New York, NY (11/27/1969-11/28/1969).|
|Authors: Binky Philips; Walter Raubicheck; Ethan Russell; Kevin McCarthy; Mick Jagger.|
|Directors: Ian Markiewicz; Albert Maysles; Bradley Kaplan.|
|Editors: Ian Markiewicz; George Bunce; Andy Johns; Roy Thomas Baker.|
|Photographers: Elliot Erwott; David Bailey ; Adam Giffard; Bob Fiori; Ethan Russell; Robert Elfstrom; Dominique Tarl?; Michael Davies.|
|Returning to the American concert scene after a three-year layoff, the Rolling Stones recorded GET YER YA-YA'S OUT! during a triumphant two-date stand at Madison Square Garden in late November 1969 that found B.B. King and Ike & Tina Turner opening for them. Having amassed an impressive recorded output during their three years away from touring, the Stones peppered their sets with hits, including "Honky Tonk Women," "Jumpin' Jack Flash," and "Street Fighting Man." Tipping their collective hats to Chuck Berry, the band also included covers of "Carol" and "Little Queenie" alongside more blues-influenced numbers such as "Stray Cat Blues" and "Love In Vain."|
|Having been a member of John Mayall's Bluesbreakers, new guitarist Mick Taylor parlayed his experience into some impressive slide guitar work. The pi?ce-de-resistance of what is arguably the best live Rolling Stones recording is the eight-minute-plus reading of "Midnight Rambler." Between Mick Jagger's unearthly harmonica playing and the tight interplay between Taylor and Keith Richards, the sinister vibe emanating from this song was eerie, foreshadowing the tragedy that would occur at Altamont less than two weeks later. Observant fans will catch the cover's subtle visual reference to a certain lyric from Bob Dylan's "Visions of Johanna" from BLONDE ON BLONDE.|
Producer: Glyn Johns; Kenneth Salinsky; Guy Stevens; Robin Klein; Mick Gochanour; Steve Rosenthal; Jody H. Klein; Teri Landi; Bradley Kaplan; Jody H. Klein (Reissue); Teri Landi (Reissue)
Engineer: David Maysles; Glyn Johns; Michael Becker
|The Rolling Stones, Winner, Best Rock Album|
|The Rolling Stones, Winner, Best Music Video, Short Form|
MTV Award (1994)
|The Rolling Stones, Winner, Lifetime Achievement Award|
|The Rolling Stones, Winner, Lifetime Achievement Award|
Associated Artists and Works
|Release Date : 11/03/2009|
|Original Release Date : 1970|
|Catalog ID : 7102412|
|Label : ABKCO Records|
|Number of Discs : 7|
|Studio/Live : Live|
|Mono/Stereo : Stereo|
|SPAR Code : n/a|
|UPC : 00018771024125|
- 5 stars out of 5 -- "[T]he last official live document of the Rolling Stones in their swaggering Sixties prime; it's also one of the great live albums of all time."
- "...More than just the soundtrack for a Rolling Stones concert, it's a truly inspired session, as intimate an experience as sitting in while the Stones jam for sheer joy in the basement..."
- "...The monololithic YA-YA's is a keeper; 'Midnight Rambler' spooks both us and the band..." - Rating: B
- 4 stars out of 5 -- "As a live document of THE ROLLING STONES in all their swaggering, arrogant pomp, GET YER YA-YA'S OUT is damned near essential."
- 7 (out of 10)
- "...captures the dirty essence of the Stones in concert. You can almost hear the sweat streaking along fretboards..."
- "GET YER YA-YA'S OUT has long been recognized as one of the great live rock 'n' roll albums and a peak in the Rolling Stones' career."
- 4 stars out of 5 -- "[T]his is the Stones at their peak....What thunders from the speakers from the outset is the assertion that this was a band, a unit with a collective pulse."
BioThe Rolling Stones
By the time the Rolling Stones began calling themselves the World's Greatest Rock & Roll Band in the late '60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock. With his preening machismo and latent maliciousness, Mick Jagger became the prototypical rock frontman, tempering his macho showmanship with a detached, campy irony while Keith Richards and Brian Jones wrote the blueprint for sinewy, interlocking rhythm guitars. Backed by the strong yet subtly swinging rhythm section of bassist Bill Wyman and drummer Charlie Watts, the Stones became the breakout band of the British blues scene, eclipsing such contemporaries as the Animals and Them. Over the course of their career, the Stones never really abandoned blues, but as soon as they reached popularity in the U.K., they began experimenting musically, incorporating the British pop of contemporaries like the Beatles, Kinks, and Who into their sound. After a brief dalliance with psychedelia, the Stones re-emerged in the late '60s as a jaded, blues-soaked hard rock quintet. The Stones always flirted with the seedy side of rock & roll, but as the hippie dream began to break apart, they exposed and reveled in the new rock culture. It wasn't without difficulty, of course. Shortly after he was fired from the group, Jones was found dead in a swimming pool, while at a 1969 free concert at Altamont, a concertgoer was brutally killed during the Stones' show. But the Stones never stopped going. For the next 30 years, they continued to record and perform, and while their records weren't always blockbusters, they were never less than the most visible band of their era -- certainly, none of their British peers continued to be as popular or productive as the Stones. And no band since has proven to have such a broad fan base or far-reaching popularity, and it is impossible to hear any of the groups that followed them without detecting some sort of influence, whether it was musical or aesthetic.