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Product Details:

Format: CD
Sku: 228791703
UPC: 626570617792
UPC 14: 00626570617792
Release Date: 3/26/2012
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Song Listing

Disc 1
Song Title
1. Coricidin Bottle ~ Ray Wylie Hubbard
2. South of the River ~ Ray Wylie Hubbard
3. Lazarus ~ Ray Wylie Hubbard
4. New Year's Eve at the Gates of Hell ~ Ray Wylie Hubbard
5. Moss and Flowers ~ Ray Wylie Hubbard
6. Red Badge of Courage ~ Ray Wylie Hubbard
7. Train Yard ~ Ray Wylie Hubbard
8. Coochy Coochy ~ Ray Wylie Hubbard
9. Mother Blues ~ Ray Wylie Hubbard
10. Henhouse ~ Ray Wylie Hubbard
11. Count My Blessings ~ Ray Wylie Hubbard
12. Ask God ~ Ray Wylie Hubbard
 

Album Notes and Credits


Notes & Personnel Info
Muze PNote Audio Mixer: George Reiff.
Muze PNote Recording information: Rocca Bella Studio, England; The Edythe Bates Old Chapel, Round Top, TX; The Finishing School, Austin, TX.
Muze PNote Photographer: Mathew Sturtevant.
Muze PNote Few songwriters are as driven as Ray Wylie Hubbard; at 65, he's writing, recording, performing, producing, touring, and scoring movies, and doesn't give a damn if you don't get it. His D.I.Y. aesthetic would make a punk rocker proud: he owns his own label and publishing company. For the past decade, Hubbard's distilled his sound to its essences. The Grifter's Hymnal, co-produced by Hubbard and George Reiff, is an organic follow-up to 2010's A: Enlightenment B: Endarkenment (Hint: There Is No C), but it's wilder, nastier. Hubbard's lyric trademarks are intact; he continues to poetically detail the intersecting worlds he lives in, cultural, spiritual, carnal, past and present -- his poignant observations are balanced by his wicked sense of humor. But it's the sound on Grifter's Hymnal that grabs the listener initially. It captures the raw experience of music-making in the moment. "Coricidin Bottle" threatens to derail from the jump, a burning electric solo by his son Lucas and careening kick drums and floor toms by Rick Richards push it into the red. Ian McLagan's piano fills out the punchy, electric guitar strut on "South of the River." "Lazarus" (one of five songs with no bass) is populated by ramped-up, nearly distorted acoustic slide, handclaps, drums, and bird feeder (!) by Richards. Hubbard's grizzled delivery keenly observes America's contradictions before razoring in on gratitude, stating with deadpan certainty: "At least we ain't Lazarus/who had to think twice about dyin'." The burning rocker "New Year's Eve at the Gates of Hell," is bitingly funny; yet it asks deep questions about the root nature of good and evil. Audley Freed's electric guitar duels with Hubbard's slide, Richards' kick drum, and Reiff's bass. Its grit hits with chaotic force. "Train Yard," written with Liz Foster of the Trishas, is a dirty-ass sexual love song. Ringo Starr's "Coochy Coochy" features the Beatle on backing vocals and percussion. Loose, swampy rock fuels "Mother Blues" (named for the legendary Dallas club); it's part autobiography, part cultural history, and part reverie; but it's all lyric gold. Hubbard makes it nearly cinematic without being wordy. "Ask God" evokes the spirit of Lonnie Johnson in its spooky, minor-key gospel blues. The Grifter's Hymnal is truly inspired. It's a swaggering, sexy, shake-your-ass, greasy, deep roots record. It pursues the same mercurial muse that bit everyone from Chuck Berry, Muddy Waters, and Howlin' Wolf to the White Stripes, the Black Keys, and Black Angels, down alleys, in bars and bedrooms, across history, myth, and space. Hubbard and company have captured it alive and kicking here. Play it loud. ~ Thom Jurek

Producer: Ray Wylie Hubbard; George Reiff

Engineer: Steve Christensen; George Reiff; Bruce Sugar

Compilation Appearances

Muze Music Compilations Roots Music-An American Journey

Technical Info

Music Release Date Release Date : 04/30/2012
Music Original Release Date Original Release Date : 2012
Music CatalogId Catalog ID : BOR 12003
Music Label Name Label : Bordello Records
Music Number of Discs Number of Discs : 1
Music Studio or Live Studio/Live : Studio
Music SPAR code SPAR Code : n/a

Professional Reviews

Uncut (magazine)
(p.79)
- "[B]ruised, lyrical, mordant, hysterical, righteous rusted-out country, folk, and blues....It's among his best."

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