Product Details:
Format: CD
Manufacturer: Bmg/razor & Tie Entertainment
Sku: 60128769
UPC: 793018281621
UPC 14: 00793018281621
Release Date: 2/21/1995
See more in Folk
Song Listing
Disc 1
Song Title
1. When I Was A Boy ~ Dar Williams
2. Alleluia ~ Dar Williams
3. Great Unknown, The ~ Dar Williams
4. When Sal's Burned Down ~ Dar Williams
5. Babysitter's Here, The ~ Dar Williams
6. You're Aging Well ~ Dar Williams
7. Traveling Again (Traveling I) ~ Dar Williams
8. In Love But Not At Peace ~ Dar Williams
9. Mark Rothko Song ~ Dar Williams
10. This Is Not The House That Pain Built ~ Dar Williams
11. I Love, I Love (Traveling II) ~ Dar Williams
12. Flinty Kind Of Woman ~ Dar Williams
13. Arrival ~ Dar Williams
Album Notes and Credits
Notes & Personnel Info |
|
| Personnel: Dar Williams (vocals, acoustic guitar); Mary Annis (spoken vocals); Adam Rothberg (acoustic & electric guitars, dobro, accordion, organ, xylophone, bass, congas); Mark Dann (guitar, bass); Max Cohen (guitar); Craig Eastman (mandolin, violin, viola); Rebecca Koehler (violin); Gideon Freudmann (cello); Tom McClung (piano); Rico Spence, Guy DeVito (bass); Dave Noonan, Dave Klock (drums); Jaime Morton, Linda Ridley, Judy Bauman (handclaps); Katryna Nields, Nerissa Nields (background vocals). | |
| Producers: Dar Williams, Adam Rothberg, David Seitz, Brooks Williams . | |
| Recorded at Shoestring Studio, Belchertown, Massachusetts; Wendell Recording Studio, Wendell, Massachusetts; Wellspring Studio, Newton, Massachusetts; Guy DeVito's Studio, Shutesbury, Massachusetts. | |
| Composer: Dar Williams. | |
| Personnel: Dar Williams (vocals, acoustic guitar); Adam Rothberg (acoustic guitar, electric guitar, dobro, accordion, organ, xylophone, bass guitar, congas); Mark Dann (electric guitar); Craig Eastman (mandolin, violin, viola); Rebecca Koehler (violin); Gideon Freudmann (cello); Tom McClung (piano); Dave Noonan (drums); Jaim? Morton (hand claps). | |
| Recording information: Shoestring Studio, Belchertown, MA. | |
| Unknown Contributor Role: Mary Annis. | |
| Upon the release of this debut album, Massachusetts native Dar Williams quickly won comparisons to Joan Baez and Joni Mitchell. Such assessments are complimentary, but Williams doesn't take herself quite as seriously as those seminal soprano folksingers. Williams has a wicked sense of humor. She delivers her witty story-songs in a conversational manner, accompanying her clear, high voice with clean acoustic guitar. Sisters Katryna and Nerissa Nields provide backup vocals on several songs. | |
| Williams is blessed with an excellent memory of her childhood experiences and with a vivid imagination. In "When I Was a Boy," she sings about her adolescence as if she had grown up male. This plaintive and introspective, yet subtly humorous, song typifies about half of the Williams oeuvre. The other half consists of fast-paced, overtly funny recollections and imaginings. "The Babysitter's Here" is a hilarious ode to a babysitter on whom Williams had a crush while growing up. But such is Williams' cleverness that one can never be too sure what is fact here and what is fiction. | |
Engineer: David Seitz; Huck Bennert; Mark Alan Miller; Mark Miller; Norman Blain |
|
Musical Guests | |
| Katryna Nields | |
| Nerissa Nields | |
Artist Overview
Dar Williams is a folk singer based in western Massachusetts. Born Dorothy Snowden Williams in 1967, Williams gravitated from her native New York to the folkie oasis of Northampton, Massachusetts, in the early 1990s. Gaining popularity with albums like 1993's THE HONESTY ROOM and 1996's MORTAL CITY, Williams became a key part of the western Massachusetts contemporary folk scene. In 1998, she formed a side project, Cry Cry Cry, with singer-songwriters Richard Shindell and Lucy Kaplansky. Later albums such as 2005's MY BETTER SELF feature more electric, pop-oriented material reminiscent of Richard Thompson and Aimee Mann.
Artist Influences
Bob Dylan | Emmylou Harris | Joan Baez | Joni Mitchell | Kate & Anna McGarrigle | Loudon Wainwright III
Bob Dylan | Emmylou Harris | Joan Baez | Joni Mitchell | Kate & Anna McGarrigle | Loudon Wainwright III
Artist Contemporaries
Ani DiFranco | Beth Nielsen Chapman | Christine Lavin | Ebba Forsberg | Emmylou Harris | Greg Brown | Jonatha Brooke | Lucinda Williams | Lucy Kaplansky | Marc Cohn | Mary Chapin Carpenter | Maura O'Connell | Melissa Etheridge | Paula Cole | Richard Shindell | Rosanne Cash | Shawn Colvin | Stewart Francke | The Nields
Ani DiFranco | Beth Nielsen Chapman | Christine Lavin | Ebba Forsberg | Emmylou Harris | Greg Brown | Jonatha Brooke | Lucinda Williams | Lucy Kaplansky | Marc Cohn | Mary Chapin Carpenter | Maura O'Connell | Melissa Etheridge | Paula Cole | Richard Shindell | Rosanne Cash | Shawn Colvin | Stewart Francke | The Nields
Compilation Appearances
| Best Of Kerrville Folk Festival Vol 1 | |
| This Bird Has Flown: A 40th Anniversary Tribute to the Beatles' Rubber Soul | |
| For The Kids Three | |
| Occupy This Album | |
| More Perfect Union |
Technical Info
| Release Date : 1997 | |
| Original Release Date : 1993 | |
| Catalog ID : 2816 | |
| Label : Razor & Tie | |
| Number of Discs : 1 | |
| Studio/Live : Studio | |
| Mono/Stereo : Stereo | |
| SPAR Code : DDD | |
| UPC : 00793018281621 |
Professional Reviews
Entertainment Weekly (3/24/95, pp.64-65)
- "...Folk singers aren't supposed to display humor and lyrical poise until they're a bit long in the tooth. But Williams achieves that and more on her debut....she's savvier than most strummers [and] she's one of folk's heaviest hitters..." - Rating: A
- "...Folk singers aren't supposed to display humor and lyrical poise until they're a bit long in the tooth. But Williams achieves that and more on her debut....she's savvier than most strummers [and] she's one of folk's heaviest hitters..." - Rating: A
Q (10/99, p.157)
- 4 stars out of 5 - "...[her songs] are intensely melodic, wisecracking and rumbustious, replete with strings, organ, congas, electric guitar and, on 'Alleluia,' a heavenly choir..."
- 4 stars out of 5 - "...[her songs] are intensely melodic, wisecracking and rumbustious, replete with strings, organ, congas, electric guitar and, on 'Alleluia,' a heavenly choir..."












