Long Good Friday (Blu Ray) (1979)
Who Lit the Fuse That Tore Harold's World Apart?
|Entrepreneurial mob boss Harold Shand (Academy Award-nominee Bob Hoskins, Mona Lisa) runs an underworld empire but his dreams are much bigger. He and his sophisticated wife (Oscar-winner Helen Mirren, The Queen) aspire to partner with American mobsters to turn the barren docklands of London into a development for the upcoming Olympics. But their perfect plan begins to unravel when a string of deadly bombings leads Shand to the stunning realization that he is being targeted by the IRA. A bloody race to hold on to his crumbling schemes brings him to an explosive climax in this taut, riveting thriller.|
"A swift, sharp-edged gangster story in a classic mold. Janet Maslin, New York Times
"I have rarely seen a movie character so completely alive. Roger Ebert, Chicago Sun-Times
Editor's NoteJohn Mackenzie's rabidly engaging, complex gangster film concerns the demise of a dominant English racketeer, Harold (Bob Hoskins), who is about to change his image and go straight. While negotiating a deal with an American organized crime organization to develop the barren Docklands section of London, his associates begin to turn up dead, and the tough Cockney businessman realizes that getting out will be more difficult than he had anticipated. This extremely tight British thriller made Hoskins a star.
Cast & Crew
|Vic Symonds - Art Director|
|Barry Hanson - Producer|
|Francis Monkman - Composer|
|Mike Taylor - Editor|
|Phil Meheux - Director of Photography|
|Barrie Keeffe - Screenwriter|
|John Mackenzie - Director|
Plot SummaryLondon underworld gangster Harold Shand controls a criminal empire built on every vice except narcotics. Even his gun moll, Victoria, is a vision of class. For his next racket, Shand plans to buy up moribund London dock yards and redevelop them for the 1988 olympics. Yet on Good Friday when Shand meets with an American Mafia chief to seal their financial partnership, somebody kills two of his right-hand men, attempts to murder his mother, and blows his favorite pub to high heaven. Directed by John Mackenzie and written by Barrie Keefe, this engaging complicated melodrama shows a man trying to control his animal urges and to act like a civic minded business man. He detests anarchy and tries to use violence only as a tool. Eventually he is doomed because his brand of capitalism can't defend itself against the terrorism of the IRA.