Lost John Dean (2006)
|Artist: Kieran Kane|
Album Notes and Credits
Notes & Personnel Info
|Personnel: Kieran Kane (vocals, banjo, drums, tambourine); Kevin Welch (vocals, guitar, background vocals); Fats Kaplin (electric guitar, oud, fiddle, accordion).|
|Audio Mixers: Charles Yingling; Philip Scoggins.|
|Recording information: Moraine, Studios (2005).|
|Photographers: Kevin Welch; Kieran Kane.|
|Arrangers: Fats Kaplin; Kevin Welch; Kieran Kane.|
|Kieran Kane along with longtime musical associate Kevin Welch and Fats Kaplin join for their second album as a trio. Although it shares the same basic instrumentation and stripped down, one take, folk approach of 2004's You Can't Save Everybody, the follow-up is more full, layered, and seems ever so slightly beefed up. Multi-instrumentalist Kaplin (guitar, pedal steel, oud, accordion, fiddle) is better integrated and helps fill out the sound that is still primarily acoustic, but has flashes of subtle electric guitar fills. The songs are largely ballads concerning the usual suspect topics of lost love ("Clean Getaway"), cars as a metaphor for life ("Them Wheels Don't Roll Anymore") and spiritual concerns ("I Can't Wait"), yet the melodies and singing are so consistently engaging that the project takes on a life of its own. A few more upbeat tunes such as the closing cover of Willie Dixon's "Mellow Down Easy" (a far cry from Little Walter's boogie thumping original) would help keep the energy flowing, but there is no shortage of talent and enthusiasm here. Kane and Welch's vocals, both solo and in tandem, find a melancholy groove that is hypnotic, beautiful and sincere. Welch's reflective "Heaven Now," a sad and insightful meditation on ageing, is stunning in its simplicity and naked emotion. "To the Harvest Look Ahead" takes a simple circular melody, brings a swampy, dusky mood and connects with restrained intensity. Middle Eastern chords infuse the mysterious "Mr. Bones" with Kaplin's oud driving the world beat influences. The recording is clean, clear and crisp, with each instrument defined under the vocals making a good album even better. Highly recommended especially for folk/Americana fans. ~ Hal Horowitz|
Engineer: Charles Yingling; Philip Scoggins
|Release Date : 04/04/2006|
|Original Release Date : 2006|
|Catalog ID : COM 44292|
|Label : Compass (USA)|
|Number of Discs : 1|
|Studio/Live : Studio|
|Mono/Stereo : Stereo|
|SPAR Code : n/a|
|UPC : 00766397442921|
- 4 stars out of 5 -- "[T]his remarkable group melds folk, country and blues when singing and playing string instruments with a jazz musician's spontaneity and freedom."
- "Kane in particular keeps coming up with singularly catchy, simple, funky new tunes, with some strong banjo to match."
Customer Reviews of Lost John Dean
Organic second album from Americana trio5/19/2006
The second studio album from this trio (following 2004's "You Can't Save Everybody") is derived more from the chemistry of their combined stage performances than their individual studio dates. Recorded live-to-tape (vocals included!), the sparse arrangements and driving rhythms echo the audience-enticing sounds they create at music festivals. The organic feel of the album derives from the trio's studio methods, forgoing charted, practiced arrangements for the jazz-like creation of talented musicians who've developed a shared. The trio of Oklahoma-born Welch and New York bred Kane and Kaplin, could loosely be categorized as Americana, with a rootsy country underpinning to their voices that's supported by a drumless, folk-styled presentation. The combination overwhelms you with the songs' power and the players' tasteful picking, rather than the volume or speed of the instrumentation. [Â©2006 redtunictroll at hotmail dot com]
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