Magic City

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Product Overview

Specifications

Label Matador -- Dna --
SKU 60318337
UPC 744861019527
UPC 14 00744861019527
Format CD
Release Date 9/9/1997
Links
Author Helium
Associated Artist/Work Star Hustler
Artist Influence Dinosaur Jr.
Artist Influence Echo & the Bunnymen
Artist Influence Galaxie 500
Artist Influence J Mascis
Artist Influence Jefferson Airplane
Artist Influence Love
Artist Influence My Bloody Valentine
Artist Influence Pixies
Artist Influence Siouxsie and the Banshees
Artist Influence Sonic Youth
Artist Influence Spacemen 3
Artist Influence The Breeders
Artist Influence The Chameleons UK
Artist Influence The Lemonheads (Group)
Artist Contemporary Archers of Loaf
Artist Contemporary Blonde Redhead
Artist Contemporary Built to Spill
Artist Contemporary Cap'n Jazz
Artist Contemporary Cat Power
Artist Contemporary Chavez
Artist Contemporary Edith Frost
Artist Contemporary fIREHOSE
Artist Contemporary Fuck
Artist Contemporary Fugazi
Artist Contemporary Gorky's Zygotic Mynci
Artist Contemporary Guided by Voices
Artist Contemporary Lady Lamb the Beekeeper
Artist Contemporary Liz Phair
Artist Contemporary Magnetic Fields
Artist Contemporary Pavement
Artist Contemporary PJ Harvey
Artist Contemporary Quix*o*tic (Washington DC)
Artist Contemporary Slant 6
Artist Contemporary Syrup USA
Artist Contemporary The Apples in Stereo
Artist Contemporary The Breeders
Artist Contemporary Trumans Water
Artist Contemporary Tsunami
Artist Contemporary Yo La Tengo
Artist Follower Burning Airlines
Artist Follower Deerhoof
Artist Follower Dressy Bessy
Artist Follower Enon
Artist Follower Joan as Police Woman
Artist Follower Mercury Rev
Artist Follower Modest Mouse
Artist Follower Pinback
Artist Follower Pretty Girls Make Graves
Artist Follower Rilo Kiley
Artist Follower The Fiery Furnaces
Artist Follower The Kills
Artist Follower Yeah Yeah Yeahs
Technical Info
Engineer Mitch Easter
Producer Helium; Mitch Easter
CatalogID OLE 1952
Lable Name Matador (record label)
Released 09/08/1997
Original Release 1997
Number of Discs 1
SPARE Code n/a
Length 51m : 33s
Mono/Stereo Stereo
Studio/Live Studio
UPC 00744861019527
Musical Guests
Mitch Easter
Album Notes and Credits
Helium: Mary Timony (vocals, various instruments); Ash Bowie (various instruments); Shawn K.D. (drums).
Additional personnel: Mitch Easter (guitar, pedal steel, slide guitar, mandolin, percussion, background vocals); Andrew Emmett (violin); Ken Wilmot (trumpet).
Personnel: Mitch Easter (guitar, slide guitar, mandolin, percussion, background vocals); Andrew Emmett (violin); Shawn, Viceroy (drums).
Audio Mixer: Mitch Easter.
Recording information: Fidelitorium (1997).
Editor: Chris Stamey.
While Helium's full-length debut THE DIRT OF LUCK wandered around the deeper crevices and netherworlds of the human soul, its second album THE MAGIC CITY finds Mary Timony's trio exploring an external, mythical world. Wearing its J.R.R. Tolkien influence on its sleeve, THE MAGIC CITY revels in songs of the medieval world; lullabies, romance and dragons and other fanciful, mythical beasts are all food for Helium's bizarre, quasi-Renaissance twist on dissonant guitar-driven indie rock.
For the most part on THE MAGIC CITY, Timony's vocals float over songs that meander playfully through dramatically different movements--a particularly stunning example of this being the hypnotic, symphonic eight-minute "The Revolution of Hearts." "Leon's Space Song" whirls around the maypole, setting raging, insistent yet traditional violins against ultra-modern lyrics and a timeless melody. While Timony has an enticing and unique voice, the most spellbinding track of all, the organ driven instrumental "Medieval People," abandons vocals entirely for a dervish-like intensity.
Artist Overview
Formed in 1991 in Boston, Helium was the indie rock stomping ground for the wonderfully perverse mind of Mary Timony, where psychosexuality met a mythological universe over a feast of distorted melody. A trio basking in contradictions, Helium's compositions married the grimy to the orchestral, the grim to the gleefully buoyant, as Timony delicately (yet forcefully) delivered twisted songs about vampires, angels, demons, dragons, and whatever other apparitions caught her fancy. After two college radio chart-topping full-lengths and three EPs on Matador, the trio called it quits at the end of the 1990s, with Timony tumbling into a prolific solo career.
Professional Reviews
Rolling Stone (10/16/97, p.110) - 3 Stars (out of 5) - "...Features the band's usual ragged arrangements and Mary Timony's trademark breathy vocals, but the album is also imbued with a rainbow of otherworldly keyboards and sprawling rhythms that recall space explorers like Can and Nektar...
Spin (11/97, pp.149-150) - 8 (out of 10) - "...Timony's guitar work is decidely more forceful, carefully straddling New Wave weirdness and feel-good '70s-rock soloing. Keyboards color ever track, but unlike a lot of bands trying to `do' electronica, Helium look backward, using harpsichords, Fender Rhodes, and Moog..."
Entertainment Weekly (9/12/97, p.138) - "This sophomore effort finds the Boston trio replacing the lurching venom of its prior work with gentler art-pop approach that meshes nicely with singer/guitarist Mary Timony's impressionistically revealing lyrics..." - Rating: A-
Magnet (11-12/97, p.68) - "...boasts one of Mitch Easter's best production jobs in a while, and Timony, bassmeister Ash Bowie and drummer Shawn Devlin are all near the top of their game..."
Musician (11/97, p.87) - "...Helium has added all manner of deft sonic touches to these fourteen tracks....At its best, this album is intoxicating....an excellent reminder...of what can be achieved when you don't automatically step on the overdrive."
Disc 1
1 Vibrations
2 Leon's Space Song
3 Ocean Of Wine
4 Aging Astronauts
5 Medieval People
6 Lady Of The Fire
7 Lullaby Of The Moths
8 Revolution Of Hearts (Pts. 1 & 2)
9 Ancient Cryme
10 Cosmic Rays
11 Devil's Tear
12 Clementine
13 Blue Rain Soda
14 Walk Away
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