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Artist: Sex Pistols
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Never Mind the Bollocks Heres the Sex Pistols CD 1 of 1
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Learn more about Never Mind the Bollocks Here's the Sex Pistols:

Format: CD
Sku: 60146788
UPC: 075992734721
UPC 14: 00075992734721
Release Date: 3/9/1989
See more in Pop

Song Listing

Disc 1
Song Title
1. Holidays In The Sun ~ The Sex Pistols
2. Bodies ~ The Sex Pistols
3. No Feelings ~ The Sex Pistols
4. Liar ~ The Sex Pistols
5. Problems ~ The Sex Pistols
6. God Save The Queen ~ The Sex Pistols
7. Seventeen ~ The Sex Pistols
8. Anarchy In The U.K. ~ The Sex Pistols
9. Sub-Mission ~ The Sex Pistols
10. Pretty Vacant ~ The Sex Pistols
11. New York ~ The Sex Pistols
12. EMI ~ The Sex Pistols
 

Album Notes and Credits


Notes & Personnel Info
Muze PNote The Sex Pistols: Johnny Rotten (vocals); Steve Jones (guitar); Sid Vicious, Glen Matlock (bass); Paul Cook (drums).
Muze PNote Personnel: John Lydon, Sid Vicious (vocals); Steve Jones (guitar); Paul Cook (drums).
Muze PNote Recording information: Wessex Studios, London, England.
Muze PNote Unknown Contributor Roles: Johnny Rotten; Paul Cook ; Sid Vicious ; Steve Jones .
Muze PNote Put this alongside BLONDE ON BLONDE and REVOLVER as an album that changed the face of rock forever. Along with the Clash and the Damned, the Sex Pistols were one of the first bands to channel the anger of dole-queue '70s Britain through a fierce musical amalgam of pub rock, the Stooges and the New York Dolls. Despite their influences, Johnny Rotten and company created something utterly unlike what had come before. Their anarchist/nihilist attitude, reflected in tunes like "Anarchy in the U.K." and "No Feelings" spoke to a new generation of kids, more profoundly disaffected than any other in the 20th century.
Muze PNote Rotten's snarling, distinctly British delivery of his agitational lyrics made Dylan sound like Mario Lanza, and the pile-driver guitars of Glen Matlock and Steve Jones move the songs along like a well-oiled but ornery machine. For all their iconoclasm, though, the Pistols were far more indebted to traditional pop song format (and dynamics) than most of the punk bands that followed in their wake. Consequently, for all their anger and urgency, such songs as "Submission" and "Pretty Vacant" enter the ear easily, only beginning to cause real internal damage once they get into your gut. One of the most essential rock albums of all time.

Producer: Chris Thomas; Chris Thomas; Bill Price

Associated Artists and Works

Opium Jukebox

Technical Info

Music Release Date Release Date : 10/25/1990
Music Original Release Date Original Release Date : 1977
Music CatalogId Catalog ID : 2-3147
Music Label Name Label : Warner Bros.
Music Number of Discs Number of Discs : 1
Music Studio or Live Studio/Live : Studio
Music Mono or Stereo Mono/Stereo : Stereo
Music SPAR code SPAR Code : n/a
Music UPC UPC : 00075992734721

Professional Reviews

Rolling Stone (12/11/03, p.108)
- Ranked #41 in Rolling Stone's "500 Greatest Albums Of All Time" - "...The Sermon on the Mount of English punk - and the echoes are everywhere..."

Spin (5/01, p.109)
- Ranked #10 in Spin's "50 Most Essential Punk Records" - "...'Gabba Gabba Hey' meets 'Hey, hey we're the Monkees'..."

Q (5/02 SE, p.141)
- Included in Q's "100 Best Punk Albums".

Q (6/00, p.85)
- Ranked #10 in Q's "100 Greatest British Albums" - "...Few [can] deny the LP's unrelenting punch nor its litany of spine-tingling moments....imbued with a quintessentially London ambience..."

Melody Maker (7/27/96, p.48)
- "...NEVER MIND THE BOLLOCKS, as a human transmission, as a piece of plastic, as an idea, even through the putrid rose-tints of retrospect, even with the distance of time and accumulation of official sanction, is still a bomb beyond appraisal, impossible, UNDENIABLE..."

Mojo (Publisher)
(3/03, p.76)
- Ranked #1 in Mojo's "Top 50 Punk Albums" - "Has any other band so changed the world with just one album?..."

NME (Magazine)
(10/2/93, p.29)
- Ranked #3 in NME's list of the `Greatest Albums Of All Time.'

NME (Magazine)
(9/11/93, p.18)
- Ranked #2 among the Greatest Albums Of The '70s - "...The ultimate `first album as greatest hits' exercise....Pub jukeboxes remain terrified of it to this day..."

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