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Nobody Lives Forever (Paperback)

Author:  John Gardner
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Nobody Lives Forever Gardner, John 1 of 1
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FORMAT: Paperback
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Learn more about Nobody Lives Forever:

Format: Paperback
ISBN-10: 1605983403
ISBN-13: 9781605983400
Sku: 225014258
Publish Date: 5/1/2012
Dimensions:  (in Inches) 8.25H x 5.5L x 1T
Pages:  336
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From the Publisher:

A cloud hangs over James Bond as he guides his Bentley Mulsanne Turbo through the streets of Ostend at the start of a well-earned spell of leave. Rome is his destination.

The incident on the cross-channel ferry, when the vessel stops while a search is made for a couple of skylarking youngsters who, it was thought, had gone overboard, makes him unaccountably jumpy. As, unobserved, he operates the secret panel in the dashboard to check his 9mm ASP automatic and the spare ammunition clips, and withdraws the small Concealable Operations Baton in its soft leather case,he reflects on M's parting advice to be ?especially careful.?The sharp, steely look in his chief's eyes had given Bond the odd feeling that M had been deliberately hiding something from him.

It is just a few hours, rather than days, after disembarking at the Belgian port, that the first grisly move is made in a bewildering game of cat-and-mouse, with Bond as the prey.What could be the purpose behind the personal vendetta unleashed by an assailant whom Bond, at first, fails miserably to identify?

Author Bio
John Gardner
Gardner was born on a dairy farm in rural western New York State. His mother was an English teacher. His brother died in an accident on the farm when Gardner was 12; he considered himself responsible, and much of his fiction is concerned with the problem of guilt. He attended Washington University, followed by graduate school at the University of Iowa. All his life, he was a teacher of medieval literature and of writing. His third novel, GRENDEL, brought him to the attention of critics and the public. Much of his work uses traditional forms and ideas, juxtaposing them to situations in modern life. His controversial critical broadside, ON MORAL FICTION (1978), earned him a reputation as a morally dogmatic prig, and his fiction was less well-received after its publication. He died in a motorcycle accident, leaving behind several works in progress, as well as the posthumous THE ART OF FICTION, a charming and insightful book of advice and observations on writing.
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