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Pride and Prejudice (Paperback)

Author:  Jane/ Jones Austen Editor: Vivien Jones  Vivien Jones Introduction:  Tony Tanner
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Pride and Prejudice Austen, Jane/ Jones, Vivien (EDT)/ Tanner, Tony (INT)/ Jones, Vivien 1 of 1
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Learn more about Pride and Prejudice:

Format: Paperback
ISBN-10: 0141439513
ISBN-13: 9780141439518
Sku: 31077742
Publish Date: 1/1/2003
Dimensions:  (in Inches) 7.75H x 5.25L x 0.75T
Pages:  480
Age Range:  22 to UP
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It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife. (from the first line)
Austen's perfect comedy of manners--one of the most popular novels of all time--features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of eighteenth-century drawing-room intrigues.
PRIDE AND PREJUDICE is Jane Austen's classic novel about the Bennett sisters and their efforts to garner economic security, for which each must procure a suitable husband. The title refers to the spirited and volatile eldest sister, Elizabeth, who rejects an offer of marriage from heir Fitzwilliam Darcy, whose seeming arrogance and pride blind her to his noble qualities. Parallel plots involve quiet sister Jane's love for stolid Charles Bingley, and the youngest, frivolous sister Lydia's elopement with one of Elizabeth's erstwhile suitors. SENSE AND SENSIBILITY concerns two sisters, Elinor the practical and Marianne the romantic, who are forced to leave their home with their mother and younger sister and live in reduced circumstances in the West of England. The girls must rely on marrying well if they are to survive in the world, and the way in which this goal is eventually accomplished provides the plot of this delightful novel, the first of Jane Austen's to be published.
Author Bio
Jane Austen
Jane Austen was the daughter of a well-connected country clergyman in a small village in southern England, and was distantly related to the aristocracy. She had six brothers and a sister--Cassandra, her best friend and confidante. Although she often wrote about marriage and courtship, Austen never married, nor did her sister. The Austen household was lively, jolly, and bookish, and Jane and her siblings loved performing in amateur theatricals (a pastime which plays a vital part in the plot of her novel MANSFIELD PARK). Jane and Cassandra were taught mostly at home, and learned only the trivial accomplishments necessary to proper young women of the period--music, drawing, dancing, etc.--but Jane was also widely read in literature, including the classics. She began writing her witty, satirical novels to amuse her family, but eventually (1809), when she began writing more seriously, she kept her work secret. All together, she completed six novels that parody the social mores of the time, writing about middle-class provincial life with psychological insight and humor. In 1816, she became afflicted with Addison's disease; she died the next year at age 41 in Winchester, and was buried in the cathedral there. Her gravestone bears a long and affectionate inscription attesting to "the benevolence of her heart, the sweetness of her temper, and the extraordinary endowments of her mind," but omitting any mention of her career as a writer. Austen is revered for her satirical portraits of English life, and for her use of the interior monologue to convey character--a relatively new device at the time she was writing. Her contemporary, Sir Walter Scott, praised "the exquisite touch which renders ordinary commonplace things and characters interesting from the truth of the description and the sentiment." Her work is also the prototype for a debased version of it, the perennially popular "Regency" romance. By the end of the 20th century, her work--the reputation of which had fluctuated widely since her death--became popular again, and was the source of several movies and TV adaptations.


Times Literary Supplement
"Arrange the great English novelists as one will, it does not seem possible to bring them out in any order where she is not the first, or second or third, whoever her companions may be....A little aloof, a little inscrutable and mysterious, she will always remain, but serene and beautiful also because of her greatness as an artist." - Virginia Woolf 05/08/1913

"Five charming sisters on the gayest, merriest manhunt that ever snared a bewildered bachelor! Girls! Take a lesson from these husband hunters!" - MGM promotion of the 1940 film of the novel

"Women, we gather, are seldom artists, because they have a passion for detail which conflicts with the proper artistic proportion of their work. We would cite Sappho and Jane Austen as examples of two great women who combine exquisite detail with a supreme sense of artistic proportion." - Virginia Woolf

"The work [i.e. 'Pride and Prejudice'] is rather too light, and bright, and sparkling; it wants shade; it wants to be stretched out here and there with a long chapter of sense, if it could be had; if not, of solemn specious nonsense, about something unconnected with the story; an essay on writing, a critique on Walter Scott, or the history of Buonaparte, on anything that would form a contrast, and bring the reader with increased delight to the playfulness and epigrammatism of the general style." - Jane Austen

New York Review of Books
"She thought an unattached young woman with intelligence...was the most marvelous creature in the world...What must have made this type so appealing to her, of course, was that this was the only time in their lives in which women like that had an absolute power--if only the power to withhold themselves--over the desires of a man. Austen felt keenly the fragility of the circumstance...This is what makes the scene of Darcy's first proposal so potent: Elizabeth will never experience again so fine an emotional surge as she does when she spurns him. It is the one context in which she is permitted to say exactly what she feels." - Louis Menand 02/01/1996

"This writer of marriage stories...had a mind as interesting as any novelist who has ever lived. In Jane Austen, the mating game assumes dimensions that Boccaccio ignored--the joining of understanding and temperament, property and taste, as well as body and body. If marriage had become the central rite of the new materialist society of Austen's England, it was also the central trial of an individual's worth, which...became the test of his or her ability to perceive and to know." - David Denby

Product Attributes

Product attributeeBooks:   Kobo
Product attributeBook Format:   Paperback
Product attributeMinimum Age:   18
Product attributeNumber of Pages:   0480
Product attributePublisher:   Penguin Books
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