Richard Dyer-Bennet : The Last Minstrel (Hardcover)

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In the 1940s and 1950s, Richard Dyer-Bennet (1913-1991) was among the best known and most respected folk singers in America. Paul O. Jenkins tells, for the first time, the story of Dyer-Bennet, often referred to as the "Twentieth-Century Minstrel." Dyer-Bennet''s achievements were many. He became the first solo performer of his kind to appear in Carnegie Hall. This book argues Dyer-Bennet helped pave the way for the folk boom of the mid-1950s and early 1960s. It also posits strong evidence that Dyer-Bennet would certainly be much better known than he is today had his career not been interrupted midstream by the anticommunist, Red-scare blacklist and its ban on his performances. Paul O. Jenkins is the director of library services at College of Mount St. Joseph in Cincinnati, Ohio. He has published articles in Old-Time Herald and College and Research Libraries News. He received the New York Times Academic Librarian Award in 2006. Bonnie Dyer-Bennet is the daughter of Richard Dyer-Bennet.

Specifications

Publisher Univ Pr of Mississippi
Mfg Part# 9781604733600
SKU 211205299
Format Hardcover
ISBN10 1604733608
Release Date 8/5/2009
Physical
Dimensions (in Inches) 9H x 6.25L x 0.75T
From the Publisher
Editors Note In the 1940s and '50s, Richard Dyer-Bennet (1913-1991) was among the best known and most respected folk singers in America. Paul O. Jenkins tells, for the first time, the story of Dyer-Bennet, often referred to as the "Twentieth-Century Minstrel." Dyer-Bennet's approach to singing sounded almost foreign to many American listeners. The folk artist followed a musical tradition in danger of dying out. The Swede Sven Scholander was the last European proponent of minstrelsy and served as Dyer-Bennet's inspiration after the young singer traveled to Stockholm to meet him one year before Scholander's death. Dyer-Bennet's achievements were many. Nine years after his meeting with Scholander, he became the first solo performer of his kind to appear in Carnegie Hall. This book argues Dyer-Bennet helped pave the way for the folk boom of the mid-1950s and early 1960s, finding his influence in the work of Joan Baez, Judy Collins, and many others. It also posits strong evidence that Dyer-Bennet would certainly be much better known today had his career not been interrupted midstream by the anticommunist, Red-scare blacklist and its ban on his performances..
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