S.W.A.T.

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Product Overview

An imprisoned drug kingpin offers a huge cash reward to anyone that can break him out of police custody and only the lapd's special weapons and tactics team can prevent it.

Specifications

Studio Sony
SKU 40232479
UPC 043396006249
UPC 14 00043396006249
Format DVD
Release Date 5/15/2012
Rating Rating
Aspect Ratio
Anamorphic Widescreen  2.40:1
Actors
Name Jackson,Samuel L.
Link Search Link
Directors
Name Clark Johnson
Link Search Link
Cast & Crew
Brian Van Holt - Actor
Colin Farrell - Actor
Jeremy Renner - Actor
Josh Charles - Actor
LL Cool J - Actor
Michelle Rodriguez - Actor
Samuel L. Jackson - Actor
Gabriel Beristain - Cinematographer
Clark Johnson - Director
Michael Tronick - Editor
Chris Lee - Producer
Dan Halsted - Producer
Neal H. Moritz - Producer
David Ayer - Screenplay
David McKenna - Screenplay
Awards
Image Award (2004) Samuel L. Jackson, Nominee, Outstanding Actor in a Motion Picture
Reviews
ReviewSource ReelViews
Review S.W.A.T. bears less of a resemblance to the 1975 TV series from which it derives its title (and the name of its principal characters) than it does to every other 2003 action film. With its rapid cuts (sometimes around one-hundred per minute) and emphasis upon stylized action over intelligent storytelling, S.W.A.T. fits in nicely with every other teen-oriented summer blockbuster packing in the crowds at the local multiplex...The "S.W.A.T." TV series was a police show. The movie is a high-octane, brain-dead action picture that happens to feature cops as the characters. Viewed from a certain perspective, S.W.A.T. can be seen as having been cleverly constructed. The first hour uses poor pacing, inane dialogue, and failed character development to deaden the higher centers of the brain. That way, the second half of the movie, which really doesn't make much sense and is riddled with plot holes, can succeed on a purely adrenaline-fueled basis. Yes, during the second half, S.W.A.T. generates some momentum and sustains a moderate level of tension - even if it's all accomplished by smoke and mirrors...Of the actors, only Michelle Rodriguez (Girlfight) shows a little fire. LL Cool J, Brian Van Holt, and Josh Charles seem to be working with an internal "mute" button stuck in the "on" position...S.W.A.T. likely won't please fans of the original TV series, but the movie hasn't been made for them. It will probably satisfy its target audience, although, as with most disposable entertainment of this sort, all it offers is a brief distraction from the rigors of real-life, with no lingering post-credits buzz. S.W.A.T. will be forgotten by the next morning. To me, that sort of superficial, ephemeral diversion hardly seems worth the price of admission - but then I'm not the one paying.
ReviewDate
ReviewPage
Reviewer James Berardinelli
ReviewRating 6
ReviewSource Variety
Review In an era of hyper-powered action spectacles, "S.W.A.T." arrives looking stodgy, without exciting heroes or villains, or, especially, the kinetic cinema to make it memorable. Nonetheless, this widescreen adaptation of the mid-1970s TV series is smart to be flagrantly unfaithful to the short-lived show...In contrast to the borderline insanity of danger and extreme action arranged by Michael Bay in "Bad Boys 2," tyro director Clark Johnson strives for realistic detail and action. Unfortunately, such adherence to technical purity proves to be a weakness for the movie...Johnson, who has superbly parlayed his stint as a Baltimore cop in "Homicide: Life on the Streets" into a terrific small screen directing career, and has shown a knack for depicting finely drawn characters in high-pressure situations, is too often at the mercy of a generally hackneyed script...Jackson and Farrell remain consummate pros throughout, but clearly have no new ideas for playing cops. Perhaps because of her character's novelty, Rodriguez comes off as more relaxed than in some of her previous, post-"Girlfight" work, and Renner (recently stunning in "Dahmer") does his part to keep things as interesting as possible...As the umpteenth cop thriller staged in L.A.'s streets, pic doesn't create a captivating new angle as, for example, Michael Mann did in "Heat," or to a lesser degree, Antwone Fuqua did in "Training Day"...A talented production crew, including lenser Gabriel Beristain, editor Michael Tronick and composer Elliot Goldenthal, has done better work elsewhere. The vast song selection is more inspired, with well-chosen tracks from the Rolling Stones, Jimi Hendrix, Apollo Four Forty and even an end-credit tune titled "Samuel Jackson."
ReviewDate
ReviewPage
Reviewer Robert Koehler
ReviewRating 5
Features
DVD, Special Edition, Widescreen, Dolby Digital (5.1), English, Subtitled, French
Product Attributes
Actor Jackson,Samuel L.
Label Columbia/tri-Star
Music Format DVD
Video Format DVD
Quotes
Richard Roeper, Ebert & Roeper A solid action movie with a lot of heart and soul.
Roger Ebert, Ebert & Roeper The best cop film since Training Day.
Steven Rea, Philadelphia Inquirer Directed by Clark Johnson in an efficient and occasionally exhilarating style...
J.R. Jones, Chicago Reader ...well executed, with plenty of macho posing and gunfire.
Kevin Carr, Film Threat ...one of those action movies that could have been ruined if Jerry Bruckheimer had taken charge of it.

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