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With panache worthy of his subject, Gottlieb lays out the players as if Bernhardt''s life were a stage drama. His charismatic prose captures the spell of the consummate mythmaker.Carol Ockman, coauthor of "Sarah Bernhardt: The Art of High Drama"
"With an eye ever open for the absurdity of her vocation, Mr. Gottlieb steers us through a thicket of fictions and half-truths about Sarah, many of them perpetrated by the 'relentless fabulist' herself."
"The power of [Bernhardt's] acting and her physical presence can only be imagined. Her offstage personality is probably even harder to convey. Gottlieb's affable, anecdotal style suits the subject well...."
From the Publisher
Everything about Sarah Bernhardt is fascinating, from her obscure birth to her glorious career—redefining the very nature of her art—to her amazing (and highly public) romantic life to her indomitable spirit. Well into her seventies, after the amputation of her leg, she was performing under bombardment for soldiers during World War I, as well as crisscrossing America on her ninth American tour.||Her family was also a source of curiosity: the mother she adored and who scorned her; her two half-sisters, who died young after lives of dissipation; and most of all, her son, Maurice, whom she worshiped and raised as an aristocrat, in the style appropriate to his presumed father, the Belgian Prince de Ligne. Only once did they quarrel—over the Dreyfus Affair. Maurice was a right-wing snob; Sarah, always proud of her Jewish heritage, was a passionate Dreyfusard and Zolaist.||Though the Bernhardt literature is vast, Gottlieb’s Sarah is the first English-language biography to appear in decades. Brilliantly, it tracks the trajectory through which an illegitimate—and scandalous—daughter of a courtesan transformed herself into the most famous actress who ever lived, and into a national icon, a symbol of France.
Long before Lady GaGa or Madonna, there was Sarah. Daughter of a courtesan and a father whose identity she never revealed, if it was even known, Sarah Bernhardt (1844-1923) was a self-dramatizing, self-publicizing, self-aggrandizing actress who fit perfectly the overstated theatrical style of her prime years in Paris--she was the most famous actress of her era--and then appeared in London and abroad as well. She continued to fascinate the public throughout her life, making sure no scandal went unreported. Though she didn't hesitate to replace truth with lies when it suited her, some people may be surprised to know that at a time of rising anti-Semitism, the Divine Sarah made a point of acknowledging her Jewish roots. Robert Gottlieb has captured her essence in this highly-readable and entertaining biography.