| Artist: Beatles |
Song Listing
Album Notes and Credits
Notes & Personnel Info |
|
| Includes a 28-page booklet with rare photos, notes on the recording sessions and lyrics. | |
| The Beatles: George Harrison (vocals, acoustic & electric guitars, sitar, tamboura, harmonica, tambourine, comb & paper); John Lennon (vocals, acoustic & electric guitars, piano, Hammond organ, maracas, comb & paper); Paul McCartney (vocals, acoustic & electric guitars, piano, harpsichord, Hammond organ, bass, comb & paper); Ringo Starr (vocals, harmonica, piano, drums, bongos). | |
| Additional personnel includes: Neil Aspinall (tamboura, harmonica); Mal | |
| Evans (harmonica, alarm clock); George Martin (piano, harmonium, | |
| Wurlitzer organ, organ); Sounds Incorporated (saxophone, French | |
| horn, trombone). | |
| Engineers include: Geoff Emerick, Malcolm Addey, Ken Townsend. | |
| Recorded at Abbey Road Studios and Regent Sound Studio, London, England between December 6, 1966 and April 21, 1967. | |
| Includes liner notes by George Martin, Mark Lewisohn and Peter Blake. | |
| This reissue of SGT. PEPPER'S LONELY HEARTS CLUB BAND has been digitally re-mastered. It comes packaged with replicated original U.K. album art, an expanded booklet containing original and newly written liner notes, and rare photos. Limited quantities of the CD are embedded with a brief documentary film about the album. | |
| Audio Remasterers: Sam Okell; Sean Magee; Steve Rooke; Guy Massey; Paul Hicks. | |
| Liner Note Authors: Mike Heatley; Mark Lewisohn; Kevin Howlett. | |
| Photographer: Michael Cooper. | |
| One of the most famous and influential albums ever recorded, SGT. PEPPER'S LONELY HEARTS CLUB BAND had a huge impact on the music world, signaling the beginning of a new era of sophistication and maturity in rock. The musical experimentation was dynamic and fresh, several tracks were edited to create seamless transitions, and even the visual design was more elaborate than anything previously attempted. | |
| Producer George Martin and The Beatles searched for new sounds and studio effects. They added crowd sounds and animal cries from sound-effects recordings, sped up Paul McCartney's vocals in "When I'm Sixty-Four" (to make him sound younger), and sustained a single piano chord for 40 seconds to end "A Day In The Life." The orchestrations, scored by Martin, were hailed by critics as bridging the gap between pop and classical music, and many people who had never bought a rock record bought SGT. PEPPER'S. | |
Musical Guests | |
| George Martin | |
Artist Overview
Arthur Alexander | Bill Haley | Bob Dylan | Buck Owens | Buddy Holly | Carl Perkins (Rockabilly) | Chuck Berry | Eddie Cochran | Elvis Presley | Fats Domino | Gene Vincent | Jerry Lee Lewis | Johnny Kidd & the Pirates | Larry Williams (Piano/Singer) | Little Richard | Little Willie John | Lonnie Donegan | Phil Spector | Ravi Shankar | Roy Orbison | Smokey Robinson | The Everly Brothers | The Isley Brothers | The Marvelettes | The Shadows | The Shirelles | The Supremes
Bee Gees | Billy J. Kramer | Chad & Jeremy | David & Jonathan | Donovan | Emitt Rhodes | Freddie & the Dreamers | Gerry & the Pacemakers | Grapefruit | Herman's Hermits | Jimi Hendrix | Kippington Lodge | Love | Manfred Mann (Group) | Mary Hopkin | P.F. Sloan | Peter & Gordon | Pink Floyd | Small Faces | The Animals | The Association | The Beach Boys | The Beau Brummels | The Blue Things | The Bobby Fuller Four | The Byrds | The Creation | The Dave Clark Five | The Easybeats | The Fourmost | The Hollies | The Idle Race | The Kinks | The Left Banke | The Liverbirds | The Lovin' Spoonful | The Merry-Go-Round | The Monkees | The Moody Blues | The Move | The Palace Guard | The Pretty Things | The Remains | The Rolling Stones | The Searchers | The Shadows | The Sorrows (UK) | The Undertakers (UK) | The Who | The Yardbirds | The Zombies | Them | Tomorrow | Wayne Fontana and the Mindbenders
10cc | ABBA | ABC | Aerosmith | Ambrosia | Argent | Aztec Camera | Badfinger | Bay City Rollers | Bee Gees | Belle & Sebastian | Big Star | Billy Joel | Billy Squier | Blue ?yster Cult | Blur | Boston | Bread | Buffalo Springfield | Carpenters | Cat Stevens | Chad & Jeremy | Cheap Trick | Coldplay | Cream | Crowded House | David Bowie | Donovan | Dwight Twilley | Electric Light Orchestra | Elliott Smith | Elton John | Emerson, Lake & Palmer | Emitt Rhodes | Flamin' Groovies | Fleetwood Mac | Foo Fighters | Freddie & the Dreamers | Genesis (U.K. Band) | George Michael | Grateful Dead | Hsker D | Harry Nilsson | Herman's Hermits | Iron Butterfly | It's a Beautiful Day | Jackson Browne | James Taylor (Soft Rock) | Jason Falkner | Jeff Lynne | Jefferson Airplane | Jellyfish | Jimi Hendrix | Joe Jackson | Jonathan Richman | Kansas | Kate Bush | King Crimson | Led Zeppelin | Lenny Kravitz | Lloyd Cole | Love | M. Ward | Manfred Mann (Individual) | Marmalade | Marshall Crenshaw | Matthew Sweet | Michael Jackson | Moby Grape | Modern English | Mott the Hoople | Neutral Milk Hotel | Nick Lowe | Nirvana (US) | Oasis | Peter & Gordon | Peter Frampton | Pink Floyd | Pixies | Prefab Sprout | Prince | Procol Harum | Queen | Quicksilver Messenger Service | R. Stevie Moore | Rick Springfield | Robyn Hitchcock | Rockpile | Sebadoh | Simon & Garfunkel | Sloan | Small Faces | Sonny & Cher | Spirit | Split Enz | Spoon | Squeeze | Status Quo (UK) | Steely Dan | Supergrass | Supertramp | Syd Barrett | T. Rex | Teenage Fanclub | The Alan Parsons Project | The Apples in Stereo | The Association | The Beau Brummels | The Byrds | The Cars | The Chameleons UK | The Church | The dB's | The Dream Academy | The Dukes of Stratosphear | The Feelies | The Go-Go's | The Guess Who | The House of Love | The Idle Race | The Iveys | The Jam | The Knack (US) | The La's | The Left Banke | The Lovin' Spoonful | The Mamas & the Papas | The Merry-Go-Round | The Monkees | The Moody Blues | The Move | The Nazz | The Neon Philharmonic | The Nice | The Police | The Posies | The Raspberries | The Replacements | The Residents | The Rockin' Berries | The Rubinoos | The Rutles | The Sir Douglas Quintet | The Smithereens | The Soft Boys | The Spongetones | The Stone Roses | The Three O'Clock | The Turtles | The Who | The Zombies | Third Eye Blind | Todd Rundgren | Tom Petty | Traffic | Travis (UK) | U2 | Utopia | Vanilla Fudge | Weezer | World Party | XTC | Yes
Compilation Appearances
| Best Of George Harrison | |
| Gold:british Invasion |
Associated Artists and Works
Technical Info
| Release Date : 09/09/2009 | |
| Original Release Date : 1967 | |
| Catalog ID : 82419 | |
| Label : Apple Corps | |
| Number of Discs : 1 | |
| Studio/Live : Studio | |
| Mono/Stereo : Stereo | |
| SPAR Code : n/a | |
| UPC : 00094638241928 |
Professional Reviews
- Ranked #1 in Rolling Stone's "500 Greatest Albums Of All Time" - "...The most important rock & roll album ever made, an unsurpassed adventure in concept, sound, songwriting, cover art and studio technology..."
- Ranked #13 in Q's "100 Greatest British Albums" - "...It deserves playing, and playing again....[including] one of the Top Five finest vocal performances in all rock: Ringo's 'With A Little Help From My Friends'....do yourself a favor."
(p.52)
- Ranked #14 in Mojo's "The 50 Most Out There Albums Of All Time" - "The Beatles build a new universe with every song..."
(10/2/93, p.29)
- Ranked #33 in NME's list of the 'Greatest Albums Of All Time.'
(p.60)
- "As a pioneering work of studio wizardry, this loose concept album is amazing..."
Bio
The Beatles"I have never seen anything like it. Nor heard any noise to approximate the ceaseless, frantic, hysterical scream which met the Beatles when they took the stage after what seemed a hundred years of earlier acts. All very good, all marking time, because no one had come for anything other than the Beatles...
Then the theatre went wild. First aid men and police -- men in the stalls, women mainly in the balcony -- taut and anxious, patrolled the aisles, one to every three rows.
Many girls fainted. Thirty were gently carried out, protesting in their hysteria, forlorn and wretched in an unrequited love for four lads who might have lived next door.
The stalls were like a nightmare March Fair. No one could remain seated. Clutching each other, hurling jelly babies at the stage, beating their brows, the youth of Britain's second city surrendered themselves totally."
- Derek Taylor (From his book Fifty Years Adrift)



















