Stankonia (Clean Version) (2000)
| Artist: Outkast |
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Song Listing
Disc 1
Song Title
1. Intro ~ Outkast
2. Gasoline Dreams - (featuring Khujo Goodie) ~ Outkast
3. I'm Cool (Interlude) ~ Outkast
4. So Fresh, So Clean ~ Outkast
5. Ms. Jackson ~ Outkast
6. Snappin & Trappin - (featuring Killer Mike/J-Sweet) ~ Outkast
7. D.F. (Interlude) ~ Outkast
8. Spaghetti Junction ~ Outkast
9. Kim & Cookie (Interlude) ~ Outkast
10. I'll Call Before I Come - (featuring Gangsta Boo/Eco) ~ Outkast
11. B.O.B. ~ Outkast
12. Xplosion - (featuring B Real) ~ Outkast
13. Good Hair (Interlude) ~ Outkast
14. We Luv Dez Hoez - (featuring Backbone/Big Gipp) ~ Outkast
15. Humble Mumble - (featuring Erykah Badu) ~ Outkast
16. Drinkin' Again (Interlude) ~ Outkast
17. ? ~ Outkast
18. Red Velvet ~ Outkast
19. Cruisin' In The ATL (Interlude) ~ Outkast
20. Gangsta S*** - (featuring Slimm Calhoun/C-Bone/T-Mo) ~ Outkast
21. Toilet Tisha ~ Outkast
22. Slum Beautiful - (featuring Cee-Lo) ~ Outkast
23. Pre-Nump (Interlude) ~ Outkast
24. Stankonia (Stanklove) - (featuring Big Rube/Sleepy Brown) ~ Outkast
Album Notes and Credits
Notes & Personnel Info |
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Initial pressings of STANKONIA will include a mix of alternate cover art. |
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Outkast: Andre 3000 (vocals, synthesized guitar); Big Boi (vocals). |
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Additional personnel includes: Sleepy Brown (vocals, Fender Rhodes piano, Moog bass); Khujo Goodie, Killer Mike, J-Sweet, Gangsta Boo, Eco, B-Real, Backbone, Big Gipp, Erykah Badu, Slimm Calhoun, C-Bone, T-Mo Goodie, Cee-Lo Goodie, Big Rube, Rosalin Heard (vocals); Big Boi, Dre (rap vocals); Donnie Mathis, David "Whild" Brown (guitar); Jason Freeman, Jerry Freeman (horns); Marvin "Chanz" Parkman (piano, keyboards); Earthtone III, Organized Noize (keyboards, programming); Preston Crump (bass, synthesized bass); Aaron Mills, Robert Grister, Dookie Blossumgame (bass); Victor Alexander (drums); Cutmaster Swift (cuts); Myrna "Screechy Peach" Crenshaw (background vocals). |
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Producers: Earthtone III, Organized Noize, Carl Mo. |
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Engineers include: John Frye, Neal H. Pogue, Kevin Parker. |
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Principally recorded at Stankonia Recording, Atlanta, Georgia. |
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STANKONIA won the 2002 Grammy Award for Best Rap Album. "Ms. Jackson" won the 2002 Grammy Award for Best Rap Performance By A Duo Or Group. |
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Initial pressings of STANKONIA will include a mix of alternate cover art. |
|
Outkast: Andre 3000 (vocals, synthesized guitar); Big Boi (vocals). |
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Additional personnel includes: Sleepy Brown (vocals, Fender Rhodes piano, Moog bass); Khujo Goodie, Killer Mike, J-Sweet, Gangsta Boo, Eco, B-Real, Backbone, Big Gipp, Erykah Badu, Slimm Calhoun, C-Bone, T-Mo Goodie, Cee-Lo Goodie, Big Rube, Rosalin Heard (vocals); Donnie Mathis, David "Whild" Brown (guitar); Jason Freeman, Jerry Freeman (horns); Marvin "Chanz" Parkman (piano, keyboards); Earthtone III, Organized Noize (keyboards, programming); Preston Crump (bass, synthesized bass); Aaron Mills, Robert Grister, Dookie Blossumgame (bass); Victor Alexander (drums); Cutmaster Swift (cuts); Myrna "Screechy Peach" Crenshaw (background vocals). |
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Producers: Earthtone III, Organized Noize, Carl Mo. |
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Engineers include: John Frye, Neal H. Pogue, Kevin Parker. |
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Principally recorded at Stankonia Recording, Atlanta, Georgia. |
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STANKONIA won the 2002 Grammy Award for Best Rap Album. "Ms. Jackson" won the 2002 Grammy Award for Best Rap Performance By A Duo Or Group. |
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Personnel: Dr? , Big Boi (vocals). |
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Recording information: Stankonia Recording, Atlanta, GA; The Dungeon, Atlanta, GA. |
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The Atlanta-based critically acclaimed duo of Big Boi and Dre returns with yet another innovative contribution to hip-hop. STANKONIA, an album borrowing its title from the group-owned recording studio, continues Outkast's tradition of delivering groundbreaking music. |
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The two MCs cover topics that only they would rap about, over self-produced tracks that only they could make. Songs like "B.O.B. (Bombs Over Baghdad)" are in contrast to the current hip-hop scene, with its bass music background, while "Ms. Jackson," a dedication to a baby's momma's momma, sports a soulful melody in the tradition of Outkast's previous efforts. Either way, Outkast still proves to be in its own elite class. |
Musical Guests | |
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Erykah Badu |
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Goodie Mob |
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Gangsta Boo |
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B Real |
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Khujo Goodie |
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J-Sweet |
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Killer Mike |
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Eco |
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Backbone |
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Big Gipp |
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Slimm Calhoun |
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T-Mo |
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C-Bone |
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Cee-Lo Green |
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Sleepy Sleepy Brown |
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Big Rube |
Compilation Appearances
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Renaissance Presents Pacha Ibiza 2 |
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Underground Kingz (Bonus Cd)(Explicit Version) |
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Strange Hip Hop |
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Totally Hip-Hop |
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NOW #1s |
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Backstage Mixtape (Explicit Version) |
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Friday Night Lights |
Associated Artists and Works
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Goodie Mob |
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Speakerboxxx/The Love Below [PA] ~ Outcast |
Technical Info
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Release Date : 10/31/2000 |
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Original Release Date : 2000 |
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Catalog ID : 26073 |
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Label : LaFace |
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Number of Discs : 1 |
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Studio/Live : Studio |
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Mono/Stereo : Stereo |
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SPAR Code : n/a |
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UPC : 00730082607322 |
Professional Reviews
Rolling Stone (1/4/01, pp.106,114)
- Ranked #4 in Rolling Stone's "Top 10 Albums of 2000" - "...[Their] masterwork is practically a hip-hop AMERICAN BEAUTY....easily the most erotically unzipped hip-hop ever recorded..."
- Ranked #4 in Rolling Stone's "Top 10 Albums of 2000" - "...[Their] masterwork is practically a hip-hop AMERICAN BEAUTY....easily the most erotically unzipped hip-hop ever recorded..."
Rolling Stone (1/4/01, pp.106,114)
- Ranked #4 in Rolling Stone's "Top 10 Albums of 2000" - "...[Their] masterwork is practically a hip-hop AMERICAN BEAUTY....easily the most erotically unzipped hip-hop ever recorded..."
- Ranked #4 in Rolling Stone's "Top 10 Albums of 2000" - "...[Their] masterwork is practically a hip-hop AMERICAN BEAUTY....easily the most erotically unzipped hip-hop ever recorded..."
Spin (1/01, p.73)
- Ranked #6 in Spin's "Top 20 Albums of the Year [2000]" - "...It's highbrow bounce with fluorescent jimmy hats. Par-tay!"
- Ranked #6 in Spin's "Top 20 Albums of the Year [2000]" - "...It's highbrow bounce with fluorescent jimmy hats. Par-tay!"
Spin (1/01, p.73)
- Ranked #6 in Spin's "Top 20 Albums of the Year [2000]" - "...It's highbrow bounce with fluorescent jimmy hats. Par-tay!"
- Ranked #6 in Spin's "Top 20 Albums of the Year [2000]" - "...It's highbrow bounce with fluorescent jimmy hats. Par-tay!"
Entertainment Weekly (11/3/00, p.81)
- "...Reeks of artful ambition rendered with impeccable skill....transcending the Southern funk-rock-hip-hop synthesis....Take a deep breath and jump into this music..." - Rating: A
- "...Reeks of artful ambition rendered with impeccable skill....transcending the Southern funk-rock-hip-hop synthesis....Take a deep breath and jump into this music..." - Rating: A
Entertainment Weekly (11/3/00, p.81)
- "...Reeks of artful ambition rendered with impeccable skill....transcending the Southern funk-rock-hip-hop synthesis....Take a deep breath and jump into this music..." - Rating: A
- "...Reeks of artful ambition rendered with impeccable skill....transcending the Southern funk-rock-hip-hop synthesis....Take a deep breath and jump into this music..." - Rating: A
Q (1/03, p.54)
- Included in Q Magazine's "100 Greatest Albums Ever"
- Included in Q Magazine's "100 Greatest Albums Ever"
Q (1/01, p.114)
- 4 out of 5 stars - "...Eccentric rather than egocentric, bohemian not boastful, STANKONIA parades some of the most ambitious music - hip hop or otherwise - currently on offer."
- 4 out of 5 stars - "...Eccentric rather than egocentric, bohemian not boastful, STANKONIA parades some of the most ambitious music - hip hop or otherwise - currently on offer."
Q (1/03, p.54)
- Included in Q Magazine's "100 Greatest Albums Ever"
- Included in Q Magazine's "100 Greatest Albums Ever"
Q (1/01, p.114)
- 4 out of 5 stars - "...Eccentric rather than egocentric, bohemian not boastful, STANKONIA parades some of the most ambitious music - hip hop or otherwise - currently on offer."
- 4 out of 5 stars - "...Eccentric rather than egocentric, bohemian not boastful, STANKONIA parades some of the most ambitious music - hip hop or otherwise - currently on offer."
Alternative Press (12/00, p.108)
- 5 out of 5 - "...Bold and confrontational....coalescing the political and societal challenges of hip hop's past into what is one of the genre's most artistically unorthodox releases so far..."
- 5 out of 5 - "...Bold and confrontational....coalescing the political and societal challenges of hip hop's past into what is one of the genre's most artistically unorthodox releases so far..."
Alternative Press (12/00, p.108)
- 5 out of 5 - "...Bold and confrontational....coalescing the political and societal challenges of hip hop's past into what is one of the genre's most artistically unorthodox releases so far..."
- 5 out of 5 - "...Bold and confrontational....coalescing the political and societal challenges of hip hop's past into what is one of the genre's most artistically unorthodox releases so far..."
The Wire (1/01, p.34)
- Included in Wire's "50 Records Of The Year".
- Included in Wire's "50 Records Of The Year".
The Wire (12/00, p.65)
- "...There are so many shifty, elastic clauses...you can't put a finger on 'em, much less cover an ass that shakes from Funkadelic to Prince booty Bass..."
- "...There are so many shifty, elastic clauses...you can't put a finger on 'em, much less cover an ass that shakes from Funkadelic to Prince booty Bass..."
The Wire (1/01, p.34)
- Included in Wire's "50 Records Of The Year".
- Included in Wire's "50 Records Of The Year".
The Wire (12/00, p.65)
- "...There are so many shifty, elastic clauses...you can't put a finger on 'em, much less cover an ass that shakes from Funkadelic to Prince booty Bass..."
- "...There are so many shifty, elastic clauses...you can't put a finger on 'em, much less cover an ass that shakes from Funkadelic to Prince booty Bass..."
Muzik (12/00, p.95)
- 5 out of 5 - "...[They] rip up the rulebook. Tear it into tiny soul-pieces. Build something new....supremely warm, funky and f***ed up music....This is great black music..."
- 5 out of 5 - "...[They] rip up the rulebook. Tear it into tiny soul-pieces. Build something new....supremely warm, funky and f***ed up music....This is great black music..."
Muzik (12/00, p.95)
- 5 out of 5 - "...[They] rip up the rulebook. Tear it into tiny soul-pieces. Build something new....supremely warm, funky and f***ed up music....This is great black music..."
- 5 out of 5 - "...[They] rip up the rulebook. Tear it into tiny soul-pieces. Build something new....supremely warm, funky and f***ed up music....This is great black music..."
CMJ (1/08/01, p.27)
- Included in CMJ's "Best Hip-Hop Albums" of 2000.
- Included in CMJ's "Best Hip-Hop Albums" of 2000.
CMJ (10/30/00, p.4)
- "...One listen, and you'll be a lifelong resident of STANKONIA..."
- "...One listen, and you'll be a lifelong resident of STANKONIA..."
CMJ (1/08/01, p.27)
- Included in CMJ's "Best Hip-Hop Albums" of 2000.
- Included in CMJ's "Best Hip-Hop Albums" of 2000.
CMJ (10/30/00, p.4)
- "...One listen, and you'll be a lifelong resident of STANKONIA..."
- "...One listen, and you'll be a lifelong resident of STANKONIA..."
The Source (12/00, pp.237-8)
- 4 stars out of 5 - "...Bizarre and groundbreaking....They're hip-hop's Lewis and Clark....Thir Funkadelic-inspired rap universe is the antithesis of predictable..."
- 4 stars out of 5 - "...Bizarre and groundbreaking....They're hip-hop's Lewis and Clark....Thir Funkadelic-inspired rap universe is the antithesis of predictable..."
The Source (12/00, pp.237-8)
- 4 stars out of 5 - "...Bizarre and groundbreaking....They're hip-hop's Lewis and Clark....Thir Funkadelic-inspired rap universe is the antithesis of predictable..."
- 4 stars out of 5 - "...Bizarre and groundbreaking....They're hip-hop's Lewis and Clark....Thir Funkadelic-inspired rap universe is the antithesis of predictable..."
Melody Maker (12/5/00, p.58)
- 4.5 stars out of 5 - "...This is witty, tight, political, thoughtful, inspired and, above all, tuneful hip-hop....F***ing superb."
- 4.5 stars out of 5 - "...This is witty, tight, political, thoughtful, inspired and, above all, tuneful hip-hop....F***ing superb."
Melody Maker (12/5/00, p.58)
- 4.5 stars out of 5 - "...This is witty, tight, political, thoughtful, inspired and, above all, tuneful hip-hop....F***ing superb."
- 4.5 stars out of 5 - "...This is witty, tight, political, thoughtful, inspired and, above all, tuneful hip-hop....F***ing superb."
NME (Magazine)
(12/30/00, p.79)
- Ranked #42 in NME's "Top 50 Albums Of The Year".
(12/30/00, p.79)
- Ranked #42 in NME's "Top 50 Albums Of The Year".
NME (Magazine)
(11/18/00, p.41)
- 9 out of 10 - "...Introduces a fresh Southern lilt to the gangsta s*** and imbues it with a gacked-up overabundance of reality and imagination....Think Prince's SIGN O'THE TIMES, then multiply it by a million..."
(11/18/00, p.41)
- 9 out of 10 - "...Introduces a fresh Southern lilt to the gangsta s*** and imbues it with a gacked-up overabundance of reality and imagination....Think Prince's SIGN O'THE TIMES, then multiply it by a million..."
NME (Magazine)
(12/30/00, p.79)
- Ranked #42 in NME's "Top 50 Albums Of The Year".
(12/30/00, p.79)
- Ranked #42 in NME's "Top 50 Albums Of The Year".
NME (Magazine)
(11/18/00, p.41)
- 9 out of 10 - "...Introduces a fresh Southern lilt to the gangsta s*** and imbues it with a gacked-up overabundance of reality and imagination....Think Prince's SIGN O'THE TIMES, then multiply it by a million..."
(11/18/00, p.41)
- 9 out of 10 - "...Introduces a fresh Southern lilt to the gangsta s*** and imbues it with a gacked-up overabundance of reality and imagination....Think Prince's SIGN O'THE TIMES, then multiply it by a million..."
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