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Star Trek-Original Motion Picture Collection (Blu-Ray/7 Discs) Blu-Ray DVD 1 of 1
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Product Details:

Format: Blu-Ray DVD
Sku: 210787010
UPC: 097361427546
UPC 14: 00097361427546
Sales Rank: 6261
See more in Drama
 
Includes 6 Motion Pictures Featuring Kirk and Spock!
Star trek the motion picture,wrath of khan,search for spock, voyage home,final frontier,undiscovered country

"[The Undiscovered Country] A fun, exciting--and dignified--sign-off for Captain Kirk and crew.  Danny Graydon, BBC Online
"[The Motion Picture] ...a gorgeous visual spectacle...a science fiction epic, one to be reckoned into the annals of sci-fi franchises and extravaganzas.  David Grove, PopMatters
"[The Wrath of Khan] ...this multi-layered action picture works so well you don't need to be a "Trekkie" to enjoy it.  Mark Bourne, DVD Journal
"[The Voyage Home] A happy, heartfelt chapter that reunites the original cast with the original TV format, shying away from the cold and epic scale of the preceding movie adventures.  Rita Kempley, The Washington Post
"[The Search for Spock] If Wrath of Khan is the 'action' entry and Voyage Home is the 'comedy' installment, then Search for Spock is the 'drama' -- and it's a damn good entry overall.  Scott Weinberg, Apollo Movie Guide
"[The Final Frontier] ...the kind of thoughtful, exciting adventure that made the Gene Roddenberry TV series so compelling.  TV Guide

Editor's Note
The voyages of the U.S.S. Enterprise continue in this trilogy of big-screen adaptations of the classic sci-fi series created by Gene Roddenberry. Seeking out bold new worlds often pits Capt. James T. Kirk (William Shatner), Mr. Spock (Leonard Nimoy), and the rest of the crew against extraterrestrial threats and the limits of human knowledge. Included here are all six original feature films: STAR TREK: THE MOTION PICTURE, STAR TREK II: THE WRATH OF KHAN, STAR TREK III: THE SEARCH FOR SPOCK, STAR TREK IV: THE VOYAGE HOME, STAR TREK V: THE FINAL FRONTIER, and STAR TREK VI: THE UNDISCOVERED COUNTRY. Please see individual titles for complete synopsis information.
Technical Info

Release Information
Video Mfg Name Studio: Paramount
Video Release Date Release Date: 1/8/2013
Video Play Time Running Time: 685 minutes
Video CategoryId Catalog ID: 142754
Video UPC UPC: 00097361427546
Video Number of Discs Number of Discs: 7
Video Audio Spec Available Audio Tracks:

Aspect Ratio
Video Aspect Ratio Widescreen  
Cast & Crew
Video Cast Info William Shatner
Video Cast Info Leonard Nimoy
Video Cast Info DeForest Kelley
Video Cast Info James Doohan
Video Cast Info George Takei
Video Cast Info Majel Barrett
Video Cast Info Walter Koenig
Video Cast Info Nichelle Nichols
Video Cast Info Gene Roddenberry - Creator

Awards


Oscar (1992)
   Video Award Name George Watters, II, F. Hudson Miller, Nominee, [The Undiscovered Country] Best Effects, Sound Effects Editing
   Video Award Name Michael Mills, et. al., Nominee, [The Undiscovered Country] Best Makeup

Oscar (1987)
   Video Award Name Donald Peterman, Nominee, [The Voyage Home] Best Cinematography
   Video Award Name Leonard Rosenman, Nominee, [The Voyage Home] Best Music, Original Score
   Video Award Name Mark A. Mangini, Nominee, [The Voyage Home] Best Effects, Sound Effects Editing
   Video Award Name Terry Porter, et. al., Nominee, [The Voyage Home] Best Sound

Oscar (1980)
   Video Award Name Douglas Trumbull, et. al., Nominee, [The Motion Picture] Best Effects, Visual Effects
   Video Award Name Harold Michelson, et. al., Nominee, [The Motion Picture] Best Art Direction-Set Decoration
   Video Award Name Jerry Goldsmith, Nominee, [The Motion Picture] Best Music, Original Score

Golden Globe (1980)
   Video Award Name Jerry Goldsmith, Nominee, [The Motion Picture] Best Original Score - Motion Picture

Professional Reviews

The Washington Post 8 of 10
[The Undiscovered Country] "What are we doing here?" asks William Shatner, a k a Captain James T. Kirk, as the aging starship commander leads his veteran cronies into a meeting at Starfleet Headquarters...It's a good question. "Star Trek VI: The Undiscovered Country" marks a quarter-century of Trek culture. This includes endless reruns of the original TV series, worldwide Trekker conventions, cartoon versions, gadgets, accessories, a spinoff series ("Star Trek: The Next Generation") and, let's not forget, the five "Star Trek" movies before this one...As now-white-haired engineer Scotty might put it, the crew's getting a wee bit long in the tooth...Not to mention waxy in the skin and rickety in the bones. The fake-hairpiece count also seems to be rising. But none of this matters. The seven hoary principals, Spock et al., could be dead, stuffed and mounted. "Star Trek VI" barrels along on industrial special effects and a 25-year momentum of good-willed, witty, human-interest sci-fi episodes...Director/coscripter Nicholas Meyer, who helmed the popular second "Star Trek" movie ("The Wrath of Khan"), moves this vehicle efficiently. He employs some tremendous visuals. At one point, the gravity stabilizer goes off in the Klingon spaceship. Invaders come aboard and start firing laser-type weaponry. The Klingons' spilled blood floats in the air in eerily beautiful purplish globules; it's space-age Sam Peckinpah...A final word for "Star Trek" founder Gene Roddenberry, a cheerful, abundantly inspiring personality who beamed out of this life earlier this year: By getting people where they live -- i.e. television and the movie screen -- his contribution to the pop culture is practically statesmanlike. This movie, so many years after the whole thing began, still bears the entertainment and humanistic values he imposed on every silly little storyline. - Desson Howe

ReelViews 8 of 10
[The Search for Spock] With a title like The Search for Spock, did anyone really expect that they wouldn't find the erstwhile first officer? So, with the resolution never in doubt (especially considering that Leonard Nimoy was directing), the real question to ask is: Is the search fun? The answer, for the most part, is "yes", at least once the story kicks into high gear. Star Trek III takes nearly forty minutes, much of which is filled with silly, mystical exposition about the current state of Spock's soul, before things start moving. The last twenty minutes are equally slow, but the stuff in between is quite enjoyable...The highlight of The Search for Spock is the ten-minute sequence where Kirk steals the Enterprise. Exciting, well-paced, and perfectly-scored, this gem stands out as one of the best segments in any of the Star Trek movies. Also noteworthy are a confrontation between the Enterprise and a Klingon bird-of-prey (although the "battle", such as it is, is anticlimactic, with the Enterprise's defense systems going on the fritz), the scene in which Kirk orders the ship's self-destruction, and a hand-to-hand struggle between the Admiral and the Klingon commander (Christopher Lloyd)...Like Star Trek II, Star Trek III is about sacrifice. In The Wrath of Khan, Spock gave his life for his shipmates. Here, Kirk loses just about everything except his life so that his friend can have a chance at a future. It's this sort of thing -- placing characters and themes above battles and special effects -- that has always distinguished Star Trek. While the absence of Spock leaves a vacuum in character interaction (there is none of the witty repartee that defines the Kirk/Spock/McCoy relationship), expectations about his return create a palpable sense of anticipation. So, while the sluggish beginning and ending mar this Star Trek outing somewhat, there's still enough here to please fans of the series, and, to a lesser extent, movie-goers in general. - James Berardinelli

The Onion A.V. Club 9 of 10
[The Wrath of Khan] Because getting Star Trek fans to agree on any issue tends to be an elusive goal, it would take an exceptional project to unite the bunch. Star Trek II: The Wrath Of Khan came closest for several reasons. Ironically enough, a significant one is that even without the words "Star Trek," the film would still be a space adventure of the highest order. Almost destined to look good by comparison, Khan followed 1979's handsome, ponderous Star Trek: The Motion Picture, which spent a lifetime reintroducing each of the show's characters and another lifetime letting them drift through an endless nebula of special effects. Like Superman II, another superior sequel, Khan dispenses with the formalities and gets down to the business at hand...Director Nicholas Meyer came to the project with little knowledge of the series and little concern for avoiding such topics as the graying of the Enterprise crew: He made a central issue out of William Shatner's age, and brought mortality to center stage by killing off a major character. For all that, the film still stays planted in the Star Trek universe. It digs deep into the show's archives to find its titular villain, a genetically engineered superman played by Ricardo Montalban, last seen making a new start on an uninhabited planet after trying to take over the Enterprise. Now eager for revenge on Shatner after living for decades in the aftermath of an ecological disaster that killed most of his crew, Montalban finds the means to even the score after he commandeers a passing starship. What follows works both as a confrontation between two characters and as a showdown between two happily larger-than-life actors. Shatner and Montalban never share the same space, but their face-offs highlight the film, as they both wring every drop of drama out of their lines. - Keith Phipps

Apollo Movie Guide 7 of 10
[The Motion Picture] After a moderately successful three-year run on television from 1966 to 1969, the original Star Trek series was cancelled. For the next ten years, series creator Gene Roddenberry tried to bring it back without much luck. Following a number of red lights and green lights, Star Trek finally made its return in 1979, only this time as Star Trek: The Motion Picture. The result is intriguing as far as the sci-fi genre goes, but not exactly something I'd consider to be "Star Trek"...I've seen only a limited number of episodes from the original series and remember only one in particular. Kirk was stuck alone on a foreign planet battling some hulking lizard-like alien. The beast took the good captain to the limits, roaring and tossing papier-mache boulders. As hokey as it might have looked, cheap props were a big part of Star Trek's personality. But with the big screen treatment comes a big-time budget. And with a big-time budget comes a bombardment of spectacular special effects. This presents a major shift in tone for the franchise. On the one hand, the film looks great, comparable to the likes of 2001: A Space Odyssey and Star Wars. Even by the standards of two decades later -- computer-generated graphics and all -- the old-fashioned small-scale models still hold up from a technical perspective. On the other hand, with the focus shifted to the visuals, it takes away some of the television series' original appeal and personality. Suddenly Star Trek becomes just another sci-fi movie...While the movie's visuals are beautiful and the story reasonably solid, other than Kirk's signature marathon speech pauses, Star Trek: The Motion Picture is not Trek as usual. And at least for those of us who've never been Trekkies, that might actually be a good thing. - Ryan Cracknell

Chicago Sun-Times 9 of 10
[The Voyage Home] When they finished writing the script for "Star Trek IV," they must have - Roger Ebert

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