|Artist: Bob Dylan|
|Bob Dylan's Tell Tale Signs: The Bootleg Series Vol. 8 -- the 8th installment in the best-selling and critically lauded Bootleg Series which launched in 1991 -- is out now on Columbia Records. A treasure-trove of 27 songs spanning two discs, Tell Tale Signs features previously unreleased recordings and alternate versions of tracks from sessions which generated some of Bob Dylan's most acclaimed and commercially successful albums from the last two decades, including Time Out of Mind, Love and Theft, Modern Times and Oh Mercy.|
The two disc set is beautifully packaged in a brilliant box with a slip sleeve and a stand alone perfect bound 60-page booklet which includes complete recording credits and extensive liner notes by Dylan expert and author, Larry "Ratso" Sloman.
Album Notes and Credits
Notes & Personnel Info
|Personnel: Bob Dylan (vocals, guitar, harp, harmonica, piano, organ); Ralph Stanley (vocals, guitar, banjo); Donnie Herron (guitar, steel guitar); Daniel Lanois (guitar, dobro, organ); Larry Campbell (guitar, violin); Glen Lowe, Tommy Morrongiello, David Bromberg, Denny Freeman, Duke Robillard, Freddy Koella, James Alan Shelton, John Jackson, Mason Ruffner, Ralph Stanley II, Stuart Kimball, Bob Britt, Brian Stoltz, Charlie Sexton (guitar); Bucky Baxter (slide guitar, electric slide guitar, steel guitar, pedal steel guitar); Cindy Cashdollar (slide guitar, dobro); Steve Sparkman (banjo); Jeff Wisor, Dick Fegy (mandolin, fiddle); John Rigsby (mandolin); Elana Fremerman (violin); James Price (fiddle); Augie Meyers (accordion, organ); John Firmin (clarinet, tenor saxophone); Peter Ecklund (trumpet); Curtis Linberg (trombone); Tony Mangurian (piano, drums, percussion); Jim Dickinson, Benmont Tench (organ); Christopher Cameron, Chris "Hambone" Cameron (keyboards); Robert Amiot, Tony Hall, Tony Garnier (bass instrument, bass guitar); Jack Cooke (upright bass); Winston Johnson, David Kemper, Winston Watson (drums, percussion); Jim Keltner, Willie Green , Richard Crooks , George Recile, Brian Blade (drums); Malcolm Burn (tambourine); Cyril Neville, Darryl Johnson (percussion).|
|Audio Mixers: Chris Shaw ; Pablo Wheeler; Malcolm Burn; Mark Wilder; Bil VornDick.|
|Liner Note Author: Larry Sloman.|
|Recording information: ACME Recording, Chicago, IL (03/??/1989-05/13/2006); Cote D'Opale Kursaal, Dunkerque, France (03/??/1989-05/13/2006); Criteria Studios, Miami, FL (03/??/1989-05/13/2006); Larrabee East, Los Angeles, CA (03/??/1989-05/13/2006); Malibu, CA (03/??/1989-05/13/2006); National Car Rental Center, Sunrise, FL (03/??/1989-05/13/2006); New York, NY (03/??/1989-05/13/2006); Oakes Garden Theatre, Niagara Falls, Ontario, Canada (03/??/1989-05/13/2006); Rebel Records (03/??/1989-05/13/2006); Studio 4, Conshohocken, PA (03/??/1989-05/13/2006); The Studio, New Orleans, LA (03/??/1989-05/13/2006); The Supper Club, New York, NY (03/??/1989-05/13/2006); Westland Studios, Dublin, Ire (03/??/1989-05/13/2006); Wolf Trap Filene Center, Vienna, VA (03/??/1989-05/13/2006).|
|Editor: Damian Rodriguez.|
|Photographers: Lynn Goldsmith; Larry Keegan; Ken Regan; Lorey Sebastian; Mark Seliger; David Gahr; Kevin Mazur; Ana Maria Valez; Giulio Molfese; John Werner ; Randee Saint Nicholas; William Claxton; Marlene Rosenberg; Jim McCarthy; Danny Clinch.|
|This eighth chapter in Dylan's epic Bootleg Series covers the era bookended by 1989's OH MERCY and 2006's MODERN TIMES. As the only installment with its own unique title, TELL TALE SIGNS acts in some ways as its own original record and the fourth salvo in the renaissance kicked off by 1997's TIME OUT OF MIND. A deeply satisfying two-disc set, TELL TALE SIGNS argues emphatically that these albums were no fluke, but rooted in a significantly broader, deeper wellspring of creativity. Unconcerned with the contemporary zeitgeist, Dylan synthesizes old forms--from rockabilly to jump blues; from Jimmie Rodgers-esque parlor balladry to country gospel--into his millieu with extraordinary ease, and rides various ace line-ups (which feature such stalwarts as guitarist/fiddler Larry Campbell, guitarist Charlie Sexton, and organist Augie Meyers) into an isolated dreamland soaked with spring reverb and pulsating tremolo. The stranger in these songs may be familiar, but now his visions thrum with nostalgia and regret.|
|The highlights are many. A devastating acoustic demo of the OH MERCY stand-out "Most of the Time" rescues the song from Daniel Lanois's overweaning production on the original. "Red River Shore" and "Marchin' to the City"--cut from the final sequence of TIME OUT OF MIND--smolder. Two vastly different alternate versions of both the OH MERCY-era single "Dignity" and LOVE AND THEFT's "Mississippi" reveal the degree to which Dylan plumbs a song's performative possibilities. Still restless, still aching, still remarkable, TELL TALE SIGNS is yet another revelation in a career already crowded with them.|
Producer: Daniel Lanois; David Bromberg; Jeff Rosen; Jack Frost; Bil VornDick; Daniel Lanois; David Bromberg; Jeff Rosen; Jack Frost; Jeff Rosen (Compilation)
Engineer: Mark Howard; Micajah Ryan; Bil VornDick; Chris Shaw; Greg Calbi; Malcolm Burn; Mark Howard; Micajah Ryan
Associated Artists and Works
|Release Date : 10/06/2008|
|Original Release Date : 2008|
|Catalog ID : 88697357952|
|Label : Columbia (USA)|
|Number of Discs : 2|
|Studio/Live : Studio|
|Mono/Stereo : Stereo|
|SPAR Code : n/a|
|UPC : 00886973579527|
- 4.5 stars out of 5 -- "TELL TALE SIGNS makes plain that Dylan knows the caprices of the world he lives in, now more than ever. Just as important, this collection bears witness to Dylan's reclamation of voice and perspective."
- Ranked #2 in Rolling Stone's 50 Best Albums Of 2008 -- "The veering tempers of Dylan's medicine-rattle rasp are a wonder to themselves."
- "[T]he generally superb TELL TALE SIGNS repurposes known material in simple, languid, semi-acoustic settings that hark back to '70s classics like BLOOD ON THE TRACKS." -- Grade: A
- 4 stars out of 5 -- "Dylan's second album with Lanois, TIME OUT OF MIND, is represented by a nice, slow blues alternative take of 'Can't Wait' and four songs that didn't make the final cut....Top prizes go to gutbucket 'Lonesome Day Blues' and harmony-laden 'Cocaine Blues'..."
- 4 stars out of 5 -- "The overriding lesson from these TELL TALE SIGNS is of Bob's immaculate role as performer. There is no one 'final version' of a track -- just the one that happens to make sense on the day."
- 5 stars out of 5 -- "TELL TALE SIGNS is awash with evidence of his staggering mercuriality, his evident determination even in the studio to repeat himself as little as possible..."
In January 2000, Bob Dylan was awarded one of the world's most prestigious music awards, The Polar Music Prize, bestowed by the Royal Swedish Academy of Music. The Prize committee's citation offers a summary of his career: "Bob Dylan's influence, as a singer-songwriter, on the development of 20th century popular music is indisputable. His achievements encompass almost four decades of constantly changing modes of creativity, always innovative, but always based on American musical traditions and roots.
"Starting with folk music and reaching the heights of critical and public fame, he set aside the rules of the day, appearing no longer alone with his acoustic guitar, but in the company of a rock and roll band. It was a development that required both integrity and determination, a move that cemented his role as one of the greatest rock artists of our time. Bob Dylan's ability to combine poetry, harmony and melody in a meaningful, often provocative context, has captivated millions in all age groups, and in most cultures and societies.
"Through his modest, persuasive musical approach, he has demonstrated an impressive ability to question the most determined political forces, to fight all forms of prejudice, and to offer unflinching support for the less fortunate. Even those who might not have shared his views would find it impossible to argue against Bob Dylan's musical and poetic brilliance."
Dylan was inducted into the Rock and Roll Hall of Fame in 1988. In referring to him, the Hall of Fame has written, "Bob Dylan is the pre-eminent poet/lyricist and songwriter of his time. He re-energized the folk-music genre, brought a new lyrical depth to rock and roll when he went electric, and bridged the worlds of rock and country by recording in Nashville. As much as he's played the role of renegade throughout his career, Dylan has also kept the rock and roll community mindful of its roots by returning often to them.
"With his songs, Dylan has provided a running commentary on a restless age. His biting, imagistic and often cryptic lyrics served to capture and define the mood of a generation...While [recently] he has been relatively inactive on the recording front, Dylan has spent much of the Nineties on the road like the wandering troubadour he has always perceived himself to be."
The legend remains very much alive with the release of Love and Theft, Dylan's first studio album since 1997's Grammy Award-winning Album of the Year Time Out of Mind.