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The Complete Peanuts 1955-1958 Schulz, Charles M. 1 of 1
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Format: Hardcover
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Product Details:

Format: Hardcover
ISBN-10: 156097687X
ISBN-13: 9781560976875
Sku: 31220039
Publish Date: 10/1/2005
Sales Rank: 85442
Dimensions:  (in Inches) 7.25H x 8.75L x 3T
Pages:  688
Age Range:  14 to 19
 
From the Publisher:
A gift set of the third and fourth Complete Peanuts volumes.

A boxed set of the third and fourth volumes, just in time for the holidays, designed by the award-winning graphic novelist, Seth! The collection of books identical to the individual volumes ships shrinkwrapped, with Vols. 1955-1956 and 1957-1958 packed in a sturdy custom box designed especially for this set. The perfect gift item.

The Complete Peanuts 1955-1956 takes us into the mid-1950s as Linus learns to talk, Snoopy begins to explore his eccentricities (including his hilarious first series of impressions), Lucy's unrequited crush on Schroeder takes final shape, and Charlie Brown becomes…well, even more Charlie Brown-ish! Over half of the strips in this volume have never been printed since their original appearance in newspapers a half-century ago! Even the most dedicated Peanuts collector/fan is sure to find many new treasures.

In The Complete Peanuts 1957-1958, Peanuts definitively enters its golden age. Linus, who had just learned to speak in the previous volume, becomes downright eloquent and even begins to fend off Lucy's bullying; even so, his security neurosis becomes more pronounced, including a harrowing two-week "Lost Weekend" sequence of blanketlessness. Charlie Brown cascades further down the hill to loserdom, with spectacularly lost kites, humiliating baseball losses (including one where he becomes "the Goat" and is driven from the field in a chorus of BAAAAHs); at least his newly acquired "pencil pal" affords him some comfort. Pig-Pen, Shermy, Violet, and Patty are also around, as is an increasingly Beethoven-fixated Schroeder. But the rising star is undoubtedly Snoopy. He's at the center of the most graphically dynamic and action-packed episodes (the ones in which he attempts to grab Linus's blanket at a dead run). He even tentatively tries to sleep on the crest of his doghouse roof once or twice, with mixed results. And his imitations continue apace, including penguins, anteaters, sea monsters, vultures and (much to her chagrin) Lucy. No wonder the beagle is the cover star not only of this volume but also of the beautiful collector's slipcase to this set!

About the Author:
Charles M. Schulz was born November 25, 1922 in Minneapolis. His destiny was foreshadowed when an uncle gave him, at the age of two days, the nickname Sparky (after the racehorse Spark Plug in the newspaper strip Barney Google).

In his senior year in high school, his mother noticed an ad in a local newspaper for a correspondence school, Federal Schools (later called Art Instruction Schools). Schulz passed the talent test, completed the course and began trying, unsuccessfully, to sell gag cartoons to magazines. (His first published drawing was of his dog, Spike, and appeared in a 1937 Ripley's Believe It Or Not! installment.) Between 1948 and 1950, he succeeded in selling 17 cartoons to the Saturday Evening Post—as well as, to the local St. Paul Pioneer Press, a weekly comic feature called Li'l Folks. It was run in the women's section and paid $10 a week. After writing and drawing the feature for two years, Schulz asked for a better location in the paper or for daily exposure, as well as a raise. When he was turned down on all three counts, he quit.

He started submitting strips to the newspaper syndicates. In the spring of 1950, he received a letter from the United Feature Syndicate, announcing their interest in his submission, Li'l Folks. Schulz boarded a train in June for New York City; more interested in doing a strip than a panel, he also brought along the first installments of what would become Peanuts—and that was what sold. (The title, which Schulz loathed to his dying day, was imposed by the syndicate). The first Peanuts daily appeared October 2, 1950; the first Sunday, January 6, 1952.

Diagnosed with cancer, Schulz retired from Peanuts at the end of 1999. He died on February 13, 2000, the day before Valentine's Day—and the day before his last strip was published—having completed 17,897 daily and Sunday strips, each and every one fully written, drawn, and lettered entirely by his own hand—an unmatched achievement in comics.

Annotation:
Snuggly fitted into a slipcover designed by Seth, this boxes together the third and fourth volumes of THE COMPLETE PEANUTS rereleases. Eight years running at this point, Schulz's comic is coming into its full glory as the artist continues to explore his unique characterization of children: Schulz's youngsters are full of neuroses and ambitions, concerned with love and friendships, baseball and Beethoven. Fortunately Fantagraphics plans to release all 50 years of this tender and melancholy strip.
Author Bio
Charles M. Schulz
A pioneering force in the comic strip industry, Schulz turned his lifelong appreciation of comics and his sensitive, somewhat brooding personality into the highly successful "Peanuts" franchise. Nicknamed "Sparky" after a popular comic strip character, the shy young cartoonist continually doodled during class, receiving encouragement from numerous teachers. After high school, he completed a drawing correspondence course, earning only average marks. He was drafted into World War II service shortly thereafter, where he continued to draw--even decorating soldiers' letters home. After leaving the military, he juggled two jobs, lettering pre-drawn comics and teaching at his alma mater, Art Instruction Schools. Initially selling single-panel cartoons to The Saturday Evening Post in 1948, Schulz sold the "L'il Folks" comic to the St. Paul Pioneer Press in 1950, changing the single-panel format to the now common multi-panel comic strip. For competitive reasons, the United Features Syndicate renamed the strip Peanuts," a name Schulz never liked. The newly syndicated comic strip was an immediate success, running eventually in 2000 newspapers worldwide. Schulz has been credited with transforming the cartooning field with his successful books, TV specials, and merchandising deals. Schulz's most prized award throughout his career was the National Cartoonists' Society's Reuben Award for outstanding cartoonist of the year, which he won in 1955 and in 1964. Critical of comic strips with political agendas, Schulz only used "Peanuts" as a political forum once--to protest the proliferation of sexual harassment claims. Otherwise, he steered clear of hot topics, focusing instead on the active imaginations of his dreamy, unfulfilled characters--many situations culled from his real life. Early in his career, Schulz fell in love with a redheaded accountant, Donna Johnson, who turned down his marriage proposal. Rejected, he married shortly thereafter, a relationship that lasted 21 years. Although his second and final marriage was reportedly a happy one, he apparently never forgot the sting of Donna's rejection, eventually immortalizing her in the "Peanuts" comic strip as the unattainable object of Charlie Brown's desire-- the Little Red-haired Girl. Described by close friends as an insecure, sensitive man, he suffered from numerous depressions and anxiety attacks. After receiving a diagnosis of colon cancer, he announced his retirement from the producing the comic strip, claiming that no other artist should determine the "Peanuts" legacy. He died just hours before the last Sunday edition of the "Peanuts" strip ran--the final strip of a 50-year cartooning career.
Product Attributes
Product attributeBook Format:   Hardcover
Product attributeMinimum Age:   10
Product attributeNumber of Pages:   0688
Product attributePublisher:   Fantagraphics Books
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