The Green Woman (Paperback)
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|New York City police detective Bob Steele is determined to stop the killing spree of a man who calls himself, among other things, Fielding "Fee" Bandolier, a Vietnam veteran whose many victims'' voices talk to both men. At the same time, the evil within an abandoned pub in the Midwest, The Green Woman, calls both men to meet their fates within its walls.|
From the Publisher:
New York Times best-selling author Peter Straub resurrects his most sinister creation, Fielding “Fee” Bandolier, the unstoppable serial killer last seen in Straub’s bestseller The Throat. Aging and tired of a life devoted to death, Fee is preparing to end his long career of bloodshed. Bob Steele is a disillusioned New York detective out for redemption and to him redemption means a one-man crusade to stop Fielding Bandolier. Steele’s father cruelly named him after a Hollywood cowboy hero. The name has been a curse because Bob has very little hero in him. But he’s going to give it one last try. Cop and killer fi nally face off in a mysterious midwestern pub, “The Green Woman Tavern.” And in that abandoned place, an unspeakable evil stronger than either of them lies waiting to seal the fates of both men.
The events of Peter Straub's childhood--including teaching himself to read in kindergarten, being involved in a car accident in first grade that left him in a wheelchair for a time, and developing a stutter that lasted until his 20s--conspired to give him something of a dislike for school. So after graduating with an M.A. from Columbia University in 1966, he did what anyone in a similar situation would have done: He became an English teacher at the very school he attended in Milwaukee. In 1969 he moved with his wife to Dublin, Ireland, to study for a Ph.D. There he began to write poetry, publishing two collections prior to his first novel, MARRIAGES, in 1973. Now living in London, Straub's work began to take a turn toward horror with JULIA and IF YOU COULD SEE ME NOW--both about malevolent ghosts. But Straub didn't really hit the big time until 1979's GHOST STORY--about a group of elderly men whose regular ghost story-telling sessions become the target of a ghostly revenge--became a huge bestseller. The film version, made in 1981, featured among its extraordinary cast Fred Astaire (who was 82) and Melvyn Douglas (who was 80) in their last roles, Douglas Fairbanks, Jr. (at 72) in his penultimate role, and John Houseman (who was 79). After the success of GHOST STORY, Straub wrote SHADOW LAND and FLOATING DRAGON, before his 1984 collaboration with Stephen King, THE TALISMAN. After this, Straub began to slowly move away from the fantastic, all the while remaining a bestselling author. KOKO, the first book in a trilogy, was about a group of Vietnam vets hunting a killer. Like MYSTERY and THE THROAT--the other books in the trilogy--it focused more on mystery and detective themes, retaining only the barest of horror elements. With 1996's HELLFIRE CLUB, Straub finally jettisoned horror altogether, focusing on the complex relationship between an escaped psychopathic killer and his hostage. Averaging one book every three years or so, Straub is not the most prolific of authors, but, perhaps because of this, he is one of the most critically well-regarded best-selling genre writers.
"Bolton's painted artwork for veteran horror novelist Straub's first (co-written) graphic novel is as uncanny as it's supposed to be--richly textured, vertiginous, built around creepily mottled flesh tones and images whose terrors always seem to be bubbling up from their darkest hues." 09/20/2010