Tron Legacy (Soundtrack) (2010)
| Artist: Daft Punk |
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Product Details:
Format: CD
Manufacturer: Universal Music Group
Sku: 217611616
UPC: 050087160555
UPC 14: 00050087160555
Release Date: 12/7/2010
Sales Rank: 2219
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Song Listing
Disc 1
Song Title
1. Overture ~ Daft Punk
2. Grid, The ~ Daft Punk
3. Son of Flynn, The ~ Daft Punk
4. Recognizer ~ Daft Punk
5. Armory ~ Daft Punk
6. Arena ~ Daft Punk
7. Rinzler ~ Daft Punk
8. Game Has Changed, The ~ Daft Punk
9. Outlands ~ Daft Punk
10. Adagio for TRON ~ Daft Punk
11. Nocturne ~ Daft Punk
12. End of Line ~ Daft Punk
13. Derezzed ~ Daft Punk
14. Fall ~ Daft Punk
15. Solar Sailer ~ Daft Punk
16. Rectifier ~ Daft Punk
17. Disc Wars ~ Daft Punk
18. C.L.U. ~ Daft Punk
19. Arrival ~ Daft Punk
20. Flynn Lives ~ Daft Punk
21. TRON Legacy (End Titles) ~ Daft Punk
22. Finale ~ Daft Punk
| Grammy award winning electronic duo Daft Punk - who takes music as seriously as TRON fans take computer references - is scoring the upcoming film TRON: Legacy. It's no accident that the group's two visionary musicians, Guy-Manuel de Homen-Christo and Thomas Bangalter, are TRON fans too. Having grown up with an admiration for the ground-breaking TRON film in the 80s, Daft Punk took on the scoring of the next chapter of the story with extraordinary thought and precision. The critically acclaimed French duo composed and produced the album. The Duo assembled a symphony of one hundred world class musicians in London and recorded the orchestra at AIR Lyndhurst Studios, Britain's premier scoring facility. |
Album Notes and Credits
Notes & Personnel Info |
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Personnel: Karen Vaughan, Skaila Kanga (harp); Warren Zielinski, Liz Edwards, Mark Berrow, Jim McLeod, Deborah Widdup, Mike McMenemy, Debbie Preece, David Woodcock, Kathy Gowers, Maciej Rakowski, Lorraine McAslan, John Bradbury, Jonathan Rees , Peter Hanson , Rolf Wilson, Dermot Crehan, Philippa Ibbotson, Jonathan Strange, Dai Emmanuel, Roger Garland, Patrick Kiernan, Boguslaw Kostecki, Rita Manning, Everton Nelson, Sonia Slany, Cathy Thompson, Emlyn Singleton (violin); Robert Smissen, Vicci Wardman, Edward Vanderspar, Katie Wilkinson, Andy Parker , Don McVay, Nick Barr, Rachel Bolt, Garfield Jackson, Peter Lale, Bruce White (viola); Anthony Pleeth (cello); Nina Robertson (flute, piccolo); Eliza Marshall , Anna Noakes (flute); John Barclay (piccolo, trumpet); Dave Fuest, Richard Addison , Nicholas Bucknall (clarinet); Matthew Draper, Jane Marshall , David Theodore (oboe); Julie Andrews , Richard Skinner (bassoon); Stephen Maw (contrabassoon); Tom Rees-Roberts, Kate Moore, Derek Watkins (trumpet); Mike Thompson , John Thurgood, Richard Berry , Philip Eastop (French horn, tuba); Roger Montgomery, Richard Bissill, Mike Kidd, Nigel Black (French horn); Lindsay Shilling, Mike Hext, Richard Edwards (tenor trombone); Dave Stewart (bass trombone); Owen Slade (tuba); Dave Hartley (piano, celesta); Dominic Hacket, Gary Kettel (timpani); Stephen Henderson, Frank Ricotti, Glynn Matthews, Paul Clarvis (percussion). |
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Audio Mixer: Alan Meyerson. |
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Recording information: Air Lyndhurst Studios, London. |
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Arranger: Joseph Trapanese. |
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Sci-fi, film, and music fans alike cheered when it was announced Daft Punk would score Tron: Legacy, the sequel to the 1982 classic Tron. After all, the French duo's robo-aesthetic owed a notable debt to the film's forward-thinking, playful, yet ominous take on technology. On pieces like "The Game Has Changed," Daft Punk pay homage to their legacy as well as Tron's, fusing their aerodynamic disco-house with propulsive orchestral elements. |
Producer: Daft Punk |
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Engineer: Geoff Foster |
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Compilation Appearances
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Kitsune Love |
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Kitsune Love |
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House Party Vol.01 (Bonus Tracks) |
Technical Info
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Release Date : 12/07/2010 |
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Original Release Date : 2010 |
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Catalog ID : 56720 |
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Label : Walt Disney |
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Number of Discs : 1 |
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Studio/Live : Studio |
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Mono/Stereo : Stereo |
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SPAR Code : n/a |
Professional Reviews
Rolling Stone - 3 stars out of 5 -- "Daft Punk cut much of TRON: LEGACY in London with a 100-piece orchestra....On 'The Game Has Changed,' they swell and flutter alongside acid-damaged synths and digital thuds, suggesting a particularly suspenseful Radiohead track."
CMJ - "While most definitely a soundtrack, TRON: LEGACY works as a standalone album due to the gauntlet of emotions that it runs through..."
Billboard (p.24)
- "[The duo] surprises with the austere beauty of cuts like 'Adagio for Tron' and its seamless fusion of organic and electronic elements."
- "[The duo] surprises with the austere beauty of cuts like 'Adagio for Tron' and its seamless fusion of organic and electronic elements."
Mojo (Publisher)
(p.95)
- 3 stars out of 5 -- "[A] brace of tracks -- the 303 bass nightmare of 'Derezzed' and 'End Titles' -- startle with squelchy metallic madness."
(p.95)
- 3 stars out of 5 -- "[A] brace of tracks -- the 303 bass nightmare of 'Derezzed' and 'End Titles' -- startle with squelchy metallic madness."
Paste (magazine)
- "TRON: LEGACY is, amazingly, the duo's best work in years....All 22 pieces flow almost seamlessly with the same textural template: orchestral arrangements augmented with their trademark, gloriously recorded sequenced synthesizers."
- "TRON: LEGACY is, amazingly, the duo's best work in years....All 22 pieces flow almost seamlessly with the same textural template: orchestral arrangements augmented with their trademark, gloriously recorded sequenced synthesizers."
Clash (magazine)
- "[A] studiously solid offering that has all the grandeur and dystopian trajectory of acclaimed godfather of cinematic scores Vangelis but with the odd cheeky electronic bed from which their sonic structures can twist and grow."
- "[A] studiously solid offering that has all the grandeur and dystopian trajectory of acclaimed godfather of cinematic scores Vangelis but with the odd cheeky electronic bed from which their sonic structures can twist and grow."
Record Collector (magazine)
(p.79)
- 3 stars out of 5 -- "TRON sounds big, loud, and is an accomplished mix of old synth, digital modernism and orchestra."
(p.79)
- 3 stars out of 5 -- "TRON sounds big, loud, and is an accomplished mix of old synth, digital modernism and orchestra."
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