Warning (2000)
| Artist: Green Day |
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Song Listing
Disc 1
Song Title
1. Warning ~ Green Day
2. Blood, Sex And Booze ~ Green Day
3. Church On Sunday ~ Green Day
4. Fashion Victim ~ Green Day
5. Castaway ~ Green Day
6. Misery ~ Green Day
7. Deadbeat Holiday ~ Green Day
8. Hold On ~ Green Day
9. Jackass ~ Green Day
10. Waiting ~ Green Day
11. Minority ~ Green Day
12. Macy's Day Parade ~ Green Day
| Returning to the raw power, fredom and excitement of their early days, Green Day, the band that sparked neo-punk, punk metal and the ska revival, offer Warning: the most passionate and hope-filled album of thier career. |
Album Notes and Credits
Notes & Personnel Info |
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Green Day: Billie Joe (vocals, guitar, mandolin, harmonica); Mike Drint (vocals, Farfisa organ, bass); Tre Cool (accordion, drums, percussion). |
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Additional personnel: Benmont Tench, Gary Meek, Mistress Simone. |
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This is an enhanced CD which contains regular audio tracks as well as multimedia computer files. |
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This limited edition of WARNING contains a 64-page booklet. It is packaged in a digipack in a green plastic bag. |
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Green Day: Billie Joe (vocals, guitar, mandolin, harmonica); Mike Drint (vocals, Farfisa organ, bass); Tre Cool (accordion, drums, percussion). |
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Additional personnel: Benmont Tench, Gary Meek, Mistress Simone. |
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Personnel: Mike Dirnt (vocals, Farfisa); Billie Joe (vocals); Gary Meek (saxophone); Tre Cool (drums). |
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Audio Mixer: Jack Joseph Puig. |
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Recording information: Studio 890, Oakland, CA. |
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Photographers: Lance Bangs; Chris Bilheimer; Marina Chavez. |
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Unknown Contributor Role: Benmont Tench. |
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To debate whether or not Green Day truly was or is a punk band in the purest definition of the punk ethic now seems irrelevant. If nothing else, they're a pop band who can't seem to help but write good songs--in the case of WARNING, some really good songs. This album makes up for any missteps the band may have taken since the fluke success of DOOKIE. |
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From the Katrina And The Waves groove of "Castaway" to the Beatles-esque harmonica on "Hold On," WARNING inspires a sense of musical deja vu that never crosses the line into out-and-out thievery. Hands-down, the most interesting track here is "Misery," which struts along with Doors-like quirkiness and goes through a progression of cultural movements that take instrumental turns in the form of deep strings, mariachi brass, and acoustic guitar melodies. If there's a warning to be found here, it's that Green Day has become a real band. Not very punk of them, but promising all the same. |
Producer: Green Day |
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Engineer: Tone; Rick Ash; Ken Allardyce |
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Musical Guests | |
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Benmont Tench |
Compilation Appearances
Associated Artists and Works
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On, Pickin' |
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U2 |
Technical Info
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Release Date : 10/03/2000 |
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Original Release Date : 2000 |
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Catalog ID : 47613 |
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Label : Reprise |
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Number of Discs : 1 |
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Studio/Live : Studio |
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Mono/Stereo : Stereo |
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SPAR Code : n/a |
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UPC : 00093624761327 |
Professional Reviews
Rolling Stone (1/4/01, p.108)
- Included in Rolling Stone's "Top 50 Albums of 2000".
- Included in Rolling Stone's "Top 50 Albums of 2000".
Rolling Stone (10/12/00, p.90)
- 3 stars out of 5 - "...The once-giddy melodies now settle for midtempo jangle or novelty....the best tune picks up where 1997s 'Good Riddance' left off....Green Day as the new Bread - who knew?"
- 3 stars out of 5 - "...The once-giddy melodies now settle for midtempo jangle or novelty....the best tune picks up where 1997s 'Good Riddance' left off....Green Day as the new Bread - who knew?"
Rolling Stone (1/4/01, p.108)
- Included in Rolling Stone's "Top 50 Albums of 2000".
- Included in Rolling Stone's "Top 50 Albums of 2000".
Rolling Stone (10/12/00, p.90)
- 3 stars out of 5 - "...The once-giddy melodies now settle for midtempo jangle or novelty....the best tune picks up where 1997s 'Good Riddance' left off....Green Day as the new Bread - who knew?"
- 3 stars out of 5 - "...The once-giddy melodies now settle for midtempo jangle or novelty....the best tune picks up where 1997s 'Good Riddance' left off....Green Day as the new Bread - who knew?"
Spin (12/00, p.215)
- 6 out of 10 - "...Ventures a Kurt Weill-style story-song, Beatles harmonica, even the riff from Petula Clark's 'Downtown'....Armstrong is so earnestly good-hearted, so generally inclined toward the inner misfit...you can't help cheering him on..."
- 6 out of 10 - "...Ventures a Kurt Weill-style story-song, Beatles harmonica, even the riff from Petula Clark's 'Downtown'....Armstrong is so earnestly good-hearted, so generally inclined toward the inner misfit...you can't help cheering him on..."
Q (11/00, p.102)
- 3 stars out of 5 - "...Hugely likeable, terribly noisy and cute, as well as being jammed with proper pop songs, there remains nothing wrong with Green Day..."
- 3 stars out of 5 - "...Hugely likeable, terribly noisy and cute, as well as being jammed with proper pop songs, there remains nothing wrong with Green Day..."
Q (11/00, p.102)
- 3 stars out of 5 - "...Hugely likeable, terribly noisy and cute, as well as being jammed with proper pop songs, there remains nothing wrong with Green Day..."
- 3 stars out of 5 - "...Hugely likeable, terribly noisy and cute, as well as being jammed with proper pop songs, there remains nothing wrong with Green Day..."
Alternative Press (11/00, p.110)
- 4 out of 5 - "...A good little record....further refining the folk-punk they introduced 2 years ago..."
- 4 out of 5 - "...A good little record....further refining the folk-punk they introduced 2 years ago..."
Magnet (1-2/01, p.93)
- "...May not only be the most beautiful Green Day LP but also the bravest....working with a sense of maturity they have only begun to express..."
- "...May not only be the most beautiful Green Day LP but also the bravest....working with a sense of maturity they have only begun to express..."
CMJ (10/2/00, p.23)
- "...They draw non-punk influences to their sound while hanging tight to [their] melodic Midas touch..."
- "...They draw non-punk influences to their sound while hanging tight to [their] melodic Midas touch..."
CMJ (10/2/00, p.23)
- "...They draw non-punk influences to their sound while hanging tight to [their] melodic Midas touch..."
- "...They draw non-punk influences to their sound while hanging tight to [their] melodic Midas touch..."
Melody Maker (10/3/00, p.58)
- 3.5 stars out of 5 - "...This sort of music used to be called new wave in the late Seventies..."
- 3.5 stars out of 5 - "...This sort of music used to be called new wave in the late Seventies..."
Melody Maker (10/3/00, p.58)
- 3.5 stars out of 5 - "...This sort of music used to be called new wave in the late Seventies..."
- 3.5 stars out of 5 - "...This sort of music used to be called new wave in the late Seventies..."
Mojo (Publisher)
(10/00, p.102)
- "...The sound of 3 men growing old far too gracefully....the tracks stroll along at a worryingly sedate pace, barely breaking a sweat....Like punk never happened. Again."
(10/00, p.102)
- "...The sound of 3 men growing old far too gracefully....the tracks stroll along at a worryingly sedate pace, barely breaking a sweat....Like punk never happened. Again."
Mojo (Publisher)
(10/00, p.102)
- "...The sound of 3 men growing old far too gracefully....the tracks stroll along at a worryingly sedate pace, barely breaking a sweat....Like punk never happened. Again."
(10/00, p.102)
- "...The sound of 3 men growing old far too gracefully....the tracks stroll along at a worryingly sedate pace, barely breaking a sweat....Like punk never happened. Again."
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