|Artist: Flogging Molly|
|The "Whiskey on a Sunday" DVD/CD is now available (you can find it under Flogging Molly in the CD section of your favorite retail store)! The DVD is a 106 minute feature length documentary film with bonus footage and the CD is the accompanying soundtrack featuring 10 new Flogging Molly recordings (5 live recordings of fan favorites, 4 acoustic tracks and a brand new studio track!). To top it all off the artwork for "Whiskey on a Sunday" was created by the one and only Shepard Fairey!|
Album Notes and Credits
|Bridget Regan ~ Fiddle, Tin Whistle, Pipes, Vocals|
|Dave King ~ Vocals, Guitar, Banjo|
|Dennis Casey ~ Guitar, Vocals|
|George Schwindt ~ Drums, Percussion|
|Matt Hensley ~ Accordion, Concertina|
|Nathen Maxwell ~ Bass, Vocals|
|Robert Schmidt ~ Mandolin, Banjo, Vocals|
For Dave King, the Dublin-born singer/guitarist/songwriter of SideOneDummy recording group Flogging Molly, the band's third studio album, Within a Mile of Home, brings him back to his childhood and the traditional Irish music he grew up with. With the help of his Flogging Molly compatriots and producer Ted Hutt, Within a Mile of Home has finally taken King full circle, back to his roots, and oh what a journey it has been.
King began his musical career as a member of Fastway, teaming up with Motorhead guitarist Eddie Clarke in the late '80s, having played New York's Madison Square Garden and L.A.'s Great Western Forum, only to eventually find himself scrubbing the toilets of ghetto clubs where he performed with just an acoustic guitar. For the musician, who originally came to L.A. from London in 1989 at the invitation of legendary Geffen A and R exec John David Kalodner to be in a band called Katmandu, it wasn't until forming Flogging Molly that he began to write and play "for myself and no one else." These days, he insists, he is right where he wants to be.
Recorded at L.A.'s Cello Studios and Hollywood Sound, Flogging Molly's new album fuses the traditional music of King's youth with the feverish punk-rock of bands like Stiff Little Fingers, the Pogues, the Undertones and Dropkick Murphys, not to mention seminal influences like the Clash, U2, and David Bowie. Songs like the speeded-up martial punk of "Screaming at the Wailing Wall," a searing critique of Bush's warmongering in the name of God, co-exist with the timeless English pastoral folk of "Factory Girls." The latter, reminiscent of Fairport Convention or Richard and Linda Thompson, features a duet with King and acclaimed singer-songwriter Lucinda Williams.
The band's fabled energy and presence can be heard loud and clear on the band's new album, which follows 2000's Swagger and 2002's Drunken Lullabies. Their unique sound has enabled Flogging Molly to entrance crowds of all ages at four of the last five Warped tours, where they have played for 10,000 fans on a nightly basis.
Describing the band's unique melting pot, King has said, "If it didn't have mandolin, accordion, fiddle and whistle, it would be punk-rock, and if it didn't have guitar, bass and drums, it would be traditional Irish music. Flogging Molly has both."