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Motown CD (2003)

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Oh Baby

by Jim Vandegriff on 8/15/2005

What an incredible CD! Michael McDonald does a fantastic job of reprising these Motown classics. The production is top notch, and I've found myself thoroughly entertained, and even singing along with many of the songs. His voice, style, and the production all do justice to these really classic songs. You can't go wrong with this cd.

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on 2/24/2008

Both Motown cds are worth a buy. My favorite of the two is Motown II but if you have both you have a great collection. His voice could not be finer and you'll be able to sing along immediately. Suggest picking up his "Soul Speak" album 3/4/8 as well. Snippets of this cd suggest more of the same but more eclectic and 3 new ones.

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Product Overview

Thousands of hopeful young singers have paid their dues in smoky bars playing songs from Motown's heady heyday. Back in St.Louis in the very late 1960s, one of them had them in his armoury as he set about getting noticed on his way to a multi-platinum career as one of the great singer-songwriters of his day. Now, Michael McDonald has returned to his first love.

Produced by English helmsman and former pop frontman Simon Climie, this elegantly-mounted collection of Motown interpretations calls on the songs of such legends as Stevie Wonder, Marvin Gaye, the Temptations and Diana Ross & the Supremes and is nothing less than McDonald's emotional nod towards the record collection that started him down the road of his stellar career.

The album is also a dream release for fans who have long known him to be one of the most seductive voices of his generation. When he marries rock and soul, they stay married, as he did as singer and writer or co-writer of countless hits from his years with the Doobie Brothers, such as "It Keeps You Runnin'," "You Belong To Me," "Minute By Minute," "Real Love" and the timeless, triple-Grammy winning "What A Fool Believes." Then again during his seamless transition to a solo career, on such songs as "I Keep Forgetting," "Sweet Freedom" and vintage duets such as "Yah Mo B There" with James Ingram and "On My Own" with Patti LaBelle.

"Not unlike a lot of people, I grew up in the Motown time frame," he explains. "Motown music was something I really gravitated to as a kid, as did most kids in America. Marvin Gaye's Super Hits album [1970] and the Diana & Marvin album [1973] were just records I played thousands of times. This was at a time when I had some time on my hands, as a musician living out in California, I think I was listening to more (Motown) then than when I was back home. The Stevie Wonder albums, Music Of My Mind, Talking Book and Songs In The Key Of Life, they were all albums that when I was on my own were always on the turntable."


Label Universal Music Group
SKU 60604994
UPC 602498011331
UPC 14 00602498011331
Format CD
Release Date 6/24/2003
Author Michael Mcdonald
Artist Bio
Michael McDonaldMcDonald's lifelong relationship with Motown goes back beyond his days in California. Born in St.Louis in 1952, he was the teenage keyboard player, guitarist and singer in local combos such as Mike and the Majestics, the Del Rays and an outfit called Blue. "When I was really young and singing Motown stuff in clubs, we were also doing a lot of James Brown and Mitch Rider & Detroit Wheels, screaming our lungs out. Vocally, that would have lasted about ten years and been over." "Working in clubs, I had to develop a style of singing that would allow me to sing all night long without being hoarse the next day. My style came as much from that as anything. But emulating soul singers over the years, I just always enjoyed the way those artists sang, they all had their own little trademark. You wind up copping those things when you learn top 40 songs to play in clubs. But over the years, those things get a little dog-eared and they fall into something that eventually becomes your own." So to California, his first record deal with RCA in 1972, and then into a long arrangement with Steely Dan, adding his distinguishable timber to career songs for the band like "Peg" and "Time Out of Mind." Then, by 1976, it was into the lion's den of the Doobie Brothers, whose future he transformed with a series of superb compositions. But as Michael readily admits, for all their rock credentials, they were never far from a soul mood. The Doobie's hit with Take Me In Your Arms (Rock Me) just as McDonald was joining their inner circle in 1975, and again in 1977 with Little Darling (I Need You). It's an inspiration he carried into his solo career, notably with his cover of the Freddie Scott gem Hey Girl on 1993's Blink Of An Eye. "In a way," he says, "it's always been a challenge to pick a song that was a classic record and try to bring something to it that doesn't hurt or expose you too much, but is maybe a new and different perspective on the song."
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